It Cost 4 Cents An Acre And Doubled The Size Of The USA

 

On April 30, 1803, France sold almost 830,000 square miles of territory west of the Missuissippi River to the United States. The price: $15,000,000. The event marked the end of French hopes to establish an empire in North America. Known as the Louisiana Purchase, it also ended a long struggle for access to and politicsl control of the Mississippi River.

Commemorative stamp showing the extent of the Louisiana Purchase

As the United States spread across the Appalachians, the river became increasingly important as a conduit for the produce of America’s West which at that time referred to the land between the Appalachians and the Mississippi. Since 1762, Spain had owned the territory of Louisiana, which itoday makes up all or part of fifteen separate states between the Mississippi River and the Rocky Mountains. Friction between Spain and the United States over the right to navigate the Mississippi and the right for Americans to transfer their goods to ocean-going vessels at New Orleans had been resolved by the Pinckney Treaty of 1795. With the Pinckney Treaty in place and the weak Spanish empire in control of Louisiana, American statesmen felt comfortable that the United States’ westward expansion would not be restricted in the long run.

This situation was threatened by Napoleon Bonaparte’s plans to revive the French empire in the New World. He planned to recapture the valuable sugar colony of St. Domingue from a slave rebellion, and then use Louisiana as the granary for his empire. France acquired Louisiana from Spain in 1800 and took possession in 1802, sending a large French army to St. Domingue and preparing to send another to New Orleans. Westerners became very apprehensive about having the more-powerful French in control of New Orleans. President Thomas Jefferson noted,

There is on the globe one single spot, the possessor of which is our natural and habitual enemy. It is New Orleans.

President Thomas Jefferson

In addition to making military preparations for a conflict in the Mississippi Valley, Jefferson sent James Monroe to join Robert Livingston in France to try to purchase New Orleans and West Florida for as much as $10 million. Failing that, they were to attempt to create a military alliance with England. Meanwhile, the French army in St. Domingue was being decimated by yellow fever, and war between France and England still threatened. Napoleon decided to give up his plans for Louisiana, and offered a surprised Monroe and Livingston the entire territory of Louisiana for $15 million. Although this far exceeded their instructions, they agreed.

President James Monroe

Robert Livingston, Founding Father, "The Chancellor"

When news of the sale reached the United States, the West was elated. President Jefferson, however, was in a quandary. He had always advocated strict adherence to the letter of the Constitution, yet there was no provision empowering him to purchase territory. Given the public support for the purchase and the obvious value of Louisiana to the future growth of the United States, Jefferson decided to ignore the legalistic interpretation of the Constitution and forgo the passage of a Constitutional amendment to validate the purchase. This decision contributed to the principle of implied powers of the federal government.

Sources:


Text: United States Department of State
Portraits: Official Portraits, The White House

Remembering The Great American Duke Of Jazz

 

Smooth, high brow, faultless, sophisticated, American. All of these words describe the music that came out of the world of Edward Kennedy "Duke" Ellington as a composer, performer, and conductor. For fifty years he defined jazz in his own way with his superbly talented jazz orchestra, surviving the onslaught of bebop, rhythm and blues, and rock and roll. His discography includes over seventy hit records out of hundreds of releases spanning seven decades. Here is perhaps his most celebrated song, credited primarily to Ellington's extraordinarily talentd composer and arranger, Billy Strayhorn.

Ellington was born on this day in Washington, D. C., in 1899. He formed a band while in his teens and played the circuit in and around the nation's capital before moving to New York. There, his creative fervor and gentlemanly demeanor made him an influential force in the Harlem Renaissance. He was a star much appreciated in Europe as well as the United States by the mid '30s. His collaboration with the brilliant composer and arranger, Billy Strayhorn, later in that decade and again in the '60s enhanced his fame and helped him bridge gaps between jazz and other musical genres.

Ellington passed away over forty years ago and with his passing the nation lost both a legendary technician at the piano and its strongest advocate for the American musical invention called jazz. Readers can learn more about this extraordinary entertainer by visit his Wikipedia page, by far the most comprehensive source of Ellington information and references on the Internet. I also recommend Terry Teachout's fine biography, Duke, published in 2015.  

As it so happens this year Ellington's birthday weekend coincides with Sunday's appearance of the second new moon of the month, commonly known as the Black Moon. That's a perfect setting for enjoying a few of his compositions about the moon and the moods it elicits in the hands of a music master.

We end with a historic moment in jazz history: Duke Ellington and his orchestra at the 1956 Newport Jazz Festival. Jazz was changing from a dance band to smaller ensemble format and at the same time competing with the rise of rock and roll. Ellington decided to link two compositions with a free-wheeling sax solo. Many jazz historians agree that this was a landmark performance that not only gave the band concept renewed life but also gave jazz a new and expanded direction in sound and listener experience.

The conclusion is obvious: Ellington was an amazing force in American music history.

 

Jean Redpath Had The Voice Of An Angel

 

I was just reminded that today is the birthday of the renowned Scots folk singer, Jean Redpath. She was a Medieval scholar who specialized in Scottish studies and developed a special interest in folklore and music. She came to California to start a singing career that quickly blossomed into tours on the concert circuit and studio recording from 1971 until her death in 2014. She played in smaller venues in the Unitd States, Canada, United Kingdom, South Africa, and Australia. Between 1974 and 1987 her audience grew by millions through her many performances as a regular on Garrison Keiler's radio program, Prairie Home Companion. She also became well-known through her collaboration with composer, Serge Hovey, and the release of their collection of songs by Robert Burns. Here are two of the better known songs from Redpath's vast repertoire.

Green Grow The Rashes

1783

 

Chor. - Green grow the rashes, O;

Green grow the rashes, O;

The sweetest hours that e'er I spend,

Are spent amang the lasses, O.

There's nought but care on ev'ry han',

In ev'ry hour that passes, O:

What signifies the life o man,

An' 'twere na for the lasses, O.

Green grow, &c.

The war'ly race may riches chase,

An' riches still may fly them, O;

An' tho' at last they catch them fast,

Their hearts can ne'er enjoy them, O.

Green grow, &c.

But gie me a cannie hour at e'en,

My arms about my dearie, O;

An' war'ly cares, an' war'ly men,

May a.gae tapsalteerie, O!

Green grow, &c.

For you sae douce, ye sneer at this;

Ye're nought but senseless asses, O:

The wisest man the warl' e'er saw,

He dearly lov'd the lasses, O.

Green grow, &c.

Auld Nature swears, the lovely dears

Her noblest work she classes, O:

Her prentice han' she try'd on man,

An' then she made the lasses, O.

Green grow, &c.

Corn Rigs

1783

It was upon a Lammas night,

When corn rigs are bonie,

Beneath the moon's unclouded light,

I held awa to Annie;

The time flew by, wi' tentless heed,

Till, 'tween the late and early,

Wi' sma persuasion she agreed

To see me thro' the barley.

Corn rigs, an' barley rigs,

An' corn rigs are bonie:

I'll ne'er forget that happy night,

Amang the rigs wi' Annie.

The sky was blue, the wind was still,

The moon was shining clearly;

I set her down, wi' right good will,

Amang the rigs o' barley:

I ken't her heart was a' my ain;

I lov'd her most sincerely;

I kiss'd her owre and owre again,

Amang the rigs o' barley.

Corn rigs, an' barley rigs, &c.

I lock'd her in my fond embrace;

Her heart was beating rarely:

My blessings on that happy place,

Amang the rigs o' barley!

But by the moon and stars so bright,

That shone that hour so clearly!

She aye shall bless that happy night

Amang the rigs o' barley.

Corn rigs, an' barley rigs, &c.

I hae been blythe wi' comrades dear;

I hae been merry drinking;

I hae been joyfu' gath'rin gear;

I hae been happy thinking:

But a' the pleasures e'erI saw,

Tho' three times doubl'd fairly,

That happy night was worth them a',

Amang the rigs o' barley.

Corn rigs, an' barley rigs, &c.

Learn more details about Jean Repath in this obituary which appeared in The Guardian.

Sources

Text:

song lyrics, robertburns.org

It's National Blueberry Pie Day 2022

 

Today is National Blueberry Pie Day. The first fruits of this year's harvest have just started arriving in the market. I can't think of a better time to heighten awareness of the blueberry or celebrate its place on our table. It is after all native to North America. The berries fed the first Americans for thousands of years. Colonial Americans used powdered blueberries as a food supplement. By the 1820s we began to enjoy them as flavorful desserts but it would take another century to develop a cultivar and build a blueberry industry, one that would include a pie.  

But enough of history  I'd rather think of the blueberry pie as sensory immersion. One needs to feel the dough as it's hand-mixed. Hear the fruit and sugar bubbling on the stove as it reduces into a thickened filling. See the pattern of the lattice work take shape across the filling in the pie shell. Smell the aroma of berries and pastry baking in the oven. Taste the product of your culinary skill and nature's unforgettable sweet berry bounty. Mouth watering yet?

Okay. So you want a pie. If you can't run to Publix and buy their award-winning version of this pie, I do have a solution. Below is the blueberry pie recipe we've enjoyed most in our  household for over forty years. It comes from The Southern Heritage Pies and Pastry Cookbook (1984), one of a series of nineteen books in The Southern Heritage Cookbook Library published by Southern Living.

Blueberry Pie

Berry Mixture:

1 cup sugar

1 tablespoon plus 1 1/2 teaspoons cornstarch

1/4 teaspoon salt

6 cups fresh blueberries

2 tablespoons butter
1 tablespoon fresh lime juice

Pastry for 1 double-crust (9-inch) pie:

2 cups all purpose flour

1/2 teaspoon salt

3/4 cup chilled shortening

5 to 6 tablespoons cold water



Combine sugar, cornstarch, and salt in a medium saucepan, stirring well to remove lumps. Add berries; mix well. Cook over low heat, stirring constantly, until mixture is thickened and bubbly. Add butter, mixing well. Set mixture aside and let cool.

Combine flour and salt in medium bowl and cut in shortening until it resembles beach sand. Sprinkle water over surface and blend until dry ingredients are moistened. Shape dough into ball and chill. 

  

Roll half of the pastry to 1/8 inch thickness on a lightly floured surface; fit into a 9-inch pie plate. Pour cooled berry mixture into the pastry shell.

Roll remaining pastry into 1/8 inch thickness. Cut into 3/4 inch wide strips, and arrange in a lattice design over filling. Trim edges; seal and flute. Bake at 400 degrees for 20 minutes. Reduce heat to 350 degrees, and continue baking for 30 minutes or until crust is golden brown. 

Let cool. Serve. Enjoy!



A note of interest: The Southern Heritage Cookbook Library has served us well over the years. It's filled with classic Southern recipes, foodways history  personal anecdotes, and scores of photos and illustrations from Southern archives. Unfortunately it's available only in print. If you happen to find the cookbooks at a yard sale or your local charity, grab them. I'm so sure you'll be pleased  I'll bake you a blueberry pie from scratch if you feel otherwise.

Sources

Text:

extension.illinois.edu

Photos and Illustrations:

The Southern Heritage Pies and Pastry Cookbook (1984), The Southern Heritage Cookbook Library, Oxmoor House, Birmingham, Alabama

In 2005 A Massive FlyIng Machine Took To The Air

In 1970 Airbus was formed as a multinational corporation to compete with the highly successful commercial aviation industry in the United States led primarily by Boeing and McDonnell Douglas. By the late 1980s Airbus began studying the potential for a wide-bodied aircraft to compete with Boeing's highly successful 747 which entered service in 1970. Airbus research led the company's management to proceed with development based on significant market interest in the Middle East and Asia. After a decade of design based on efficiency, passenger comfort and innovative aeronautical engineering, the aircraft went into production in 2000. It would go on to makes its maiden flight as the A380 on this day in 2005.

The A380 took to the air as - and remains - the world's largest passenger plane. It has a wingspan of almost 262 feet, a length of just over 238 feet, and almost 6000 square feet of floor space on two full length levels that can accommodate up to 853 people. Since production began the aircraft has flown more than 7.5 million flight hours without an aircraft loss or fatality.

   

Airbus A380 during a landing Paris Air Show 2007

Singapore Airlines was the first to introduce the aircraft to commercial service in late 2007. When production ended in 2021, 251 A380s had been delivered to about two dozen customers with Emirates Airline being the largest at 128 aircraft. By the end of production the cost of each aircraft was $445 million. 

Most of the aircraft have been configured with typical seating for 525 people, generally divided into the standard three classes. The high option accomodation on some planes is a 130 square foot, three room “Residence” located forward on the upper deck. Other configurations can include bars, beauty salons, shops, cafes and extra features for premium cabins, including showers. The following video will attest that not all the comfort is reserved for the high end traveler.

Despite having 50% less cabin noise, 50% more cabin area and volume, larger windows, bigger overhead bins, and two feet more headroom than the 747-400, the A380 was not a commercial success. Unfortunately, it was developed just as the industry was shifting away from the need for larger aircraft serving hubs and toward a to point to point operation that could be served with smaller planes.

As more and more A380s are being removed from service, sixteen airlines continue to fly it on long range international routes. Emirates operates the largest fleet with 121 aircraft. Only four are based in the United Kingdom and the Middle East, the remainder in Asia and Australia.

There will come a time when the A380 is a museum piece but it will always be remembered as an extraordinary technological achievement that provided in flight luxury unseen since the 1930s.

Sources

Text:

aerospace-technology.com

wikipedia.org

Photos and Illustrations:

commons.wikimedia.org

Chernobyl After 36 Years

 

The Chernobyl Nuclear Power Plant (Ukraine) reactor explosion and fire occurred on this day in 1986. The event remains the worst accident of its kind. A precise number of casualties will never be known beyond the 41 who died during and in the few months following the event. On the edge of the plant, a city died. Its 50,000 people were evacuated in two days leaving behind a photograph of interrupted lives. In the 36 years since the reactor meltdown and fire the decaying remains of Pripyat have become a prime destination for those seeking the disturbing presence of abandoned and decaying places.

The background radiation in Pripyat remains about three times above normal with hot spots exceeding fifty times normal. The situation has not prevented the growth of a robust tourist industry focused on the event and its aftermath. Although the recent Russian invasion of Ukraine has brought tourism to a halt this site is a good indicator of the response to curiosity surrounding  the area. In time I have no doubt that tourists will return to experience what has become one of the strangest places on the planet. 

Ella Fitzgerald: She's Still The First Lady Of Song

On April 25, 1917, Ella Jane Fitzgerald, the "First Lady of Song," arrived on the American scene in Newport News, Virginia. In 1934, Fitzgerald wanted to dance at an amateur night at the Apollo in Harlem, but was intimidated by other dancers and decided to sing instead. It was the beginning of a career that took her magnificent voice through the big bands, to jazz, bop, and the Great American Songbook. With a voice ranging from smoky to bright she put her signature on every note and sharp diction on every word. For people who like to immerse themselves in lyrics, Ella was unbeatable. And when she forgot those lyrics or let the spontaneity flow, the scat singing was priceless.

Fitzgerald and President Reagan at The White House in October 1981

Throughout her very public life, Ella Fitzgerald remained a private, if not shy, person. Were she receiving a birthday cake today, I can envision a broad, approving smile and nervous glances from squinting eyes behind those big bottle bottom glasses. She'd respond with a heart-felt "Thank you, thank you," and move into the comfort and safety of song.

I saw Ella perform at the peak of her career in the 1960's. Unfortunately, it was the only time I'd see her in concert. Looking back, I realize how significant it was. She had turned 50 and completed her famous Songbook series a few years earlier. And though her peak years were coming to an end, what she had left exceeded the best of what most 20th century singers ever offered. She went on to perform another quarter of a century dazzling audiences everywhere. Ella passed away almost sixteen years ago, but she's still making her mark, living on through a huge discography and video record. In all, it is an immense, if not iconic legacy.

Here she is performing two jazz standards from that famous Songbook series produced by Norman Grantz and released over an eight year period. The series has never been out of print and remains a hot seller after more than fifty years:

In almost sixty years, few recordings in vocal jazz can approach the significance and near-perfection of Fitzgerald's interpretation of the Great American Songbook. To me, nothing since has quite matched it and I doubt anything in the future will without some extraordinary changes within the music industry and jazz itself. Though she left us in 1996, Ella simply "is." I can only imagine the look on the faces of the heavenly hosts when she waltzed through those pearly gates scat singing all the way. 

The First Lady of Song in 1960                               Erling Mandelmann

Sources

Text:

wikipedia.org

Photos and Illustrations:
Mandelmann photo, commons.wikimedia.org
White House, Item C4495-9A, President Reagan with Ella Fitzgerald after her performance for King Juan Carlos I of Spain in the east room, 10/13/81; Ronald Reagan Presidential Library and Museum, Simi Valley, California.

On The Road To No Sorrow

 

The world is filled with magic places. The right nexus of site, scene, scale, and subject will leave deep and lasting impressions. Fifty years ago I discovered such a crossroad sitting hundreds of feet above the Pacific Ocean between Carmel and Big Sur. The place is Nepenthe. Its name derives from nepenthes pharmakon, a philter (potion) appearing in the Odyssey written by the Greek poet, Homer, around 800 BCE.  The phrase means "medicine that chases away all sorrow." On the Sur coast it is a stunning oasis of hospitality and breathtaking landscape. Nepenthe is the story of what happens when a family escapes from everyday life only to discover that their home site is so beautiful it demands to be shared with others. And so on April 24, 1949, Nepenthe opened to the public as a restaurant. Today, the original restaurant and terraces - designed by a student of Frank Lloyd Wright - have been joined by a cafe and The Phoenix Shop, a unique world-themed store. Every turn at Nepenthe is a discovery of human and natural landscapes both real and imagined.

Over the decades I returned to this special place at every opportunity. Sadly, I haven't had nearly enough, but I think there could never be enough. The solace comes in knowing that once you visit, you never really leave the magic. So "Happy Birthday" to Nepenthe and the descendants of founders, Bill and Lolly Fassett, who run the place and ensure that the hospitality and magic keep flowing.

Readers can learn more about that magic here. Be sure to click on the "Stories & Folktales" link to start. When the opportunity arises I hope you'll visit to experience "no sorrow" for yourself. The food is moderately expensive, rich but healthy, generous, and quite good for what has become an iconic tourist stop on Highway 1. Try the Ambrosia Burger, a choice that has become the most popular dish. The Nepenthe experience itself is free. And priceless.

Take a trip there now by visiting their livecam. You can enjoy a Mannheim Steamroller composition inspired by the view as you enjoy it. 

The cover photo is from a recent book about Nepenthe written by Romney Steele, granddaughter of the founders. It's filled with the Nepenthe story and recipes for those times when you can't be on the terrace. If you're interested but not likely to be traveling there anytime soon, I'm sure you can order copies from the Phoenix Shop website.

Sources

Text:

wikidoc.org

Photos and Illustrations:
photo of view north from Highway 1 near Nepenthe entrance is from
family archives

St. George's Day 2022

 

Today is St. George's Day, a festival day in much of the Christian world and in many places, including England, where St. George is recognized as a patron saint. We're happy to acknowledge his connection to England by flying the St. George's Cross - the flag of England - a dominant element in Great Britain's Union flag.

We know little about St. George's life other than his Greek origin, service in the Praetorian Guards under the Roman emperor Diocletian, and martyrdom for his Christian faith. Safe to say, he never set foot in England and his battle with any dragon remains legendary but his place as one of the most venerated saints in Christianity goes without question. In terms of his connection with England we must return to the time of the crusades and the veneration of George as a warrior for the faith. Over the centuries his association with military units and memorial organizations grew large as England took its place in the Age of Empire. Although that age has passed and England now shares it identity of sorts in the United Kingdom, St. George and England remain inseparable.


The finest expression of this fabric of faith, martyrdom, and love of country was heard across England as part of today's celebration, It comes from William Blake's preface to Milton and is a fitting concluding image for our St. George commemoration.

Sources

Photos and Illustrations:
Family archives

Earth Day 2022

Today we celebrate our planet, our earthly home. At our home in the woods a celebration of the planet takes place in some way every day. Perhaps it's a seed order, a letter about water quality in the creek that crosses our property, admiring a blooming orchid or slicing into an amazing tomato harvested a few yards from the kitchen. More often these days I simply watch nature flowing through the seasons. 

Our appreciation of nature persists in spite of the full-on seizure and politicization of environmental themes by the radical left - the green movement - that came with the fall of the Soviet Union in 1990. Even the unhinged need an anchor and it is after all the birthday (1870) of the Communist butcher, Vladimir Lenin. Still, it's sad they selected such a universal idea. And now even our information technology isolates us from the outside making it more difficult to experience, understand, appreciate, and protect our planet. All of my adult life, I fought hard to dissolve the barriers between people and nature. Whether we like it or not we live IN nature. The sooner we recognize it the better off both we and the planet will coexist.

Father Mississippi                Walter Inglis Anderson, U.S., ca. 1955

Experiencing the earth and the built environment upon it has been the greatest teacher over the years. The written word provided significant guidance along the way. First came the foundation heard from childhood:

Psalm 104

1 Praise the LORD, O my soul. O LORD my God, you are very great; you are clothed with splendor and majesty. 2 He wraps himself in light as with a garment; he stretches out the heavens like a tent 3 and lays the beams of his upper chambers on their waters. He makes the clouds his chariot and rides on the wings of the wind. 4 He makes winds his messengers, flames of fire his servants. 5 He set the earth on its foundations; it can never be moved. 6 You covered it with the deep as with a garment; the waters stood above the mountains. 7 But at your rebuke the waters fled, at the sound of your thunder they took to flight; 8 they flowed over the mountains, they went down into the valleys, to the place you assigned for them. 9 You set a boundary they cannot cross; never again will they cover the earth. 10 He makes springs pour water into the ravines; it flows between the mountains. 11 They give water to all the beasts of the field; the wild donkeys quench their thirst. 12 The birds of the air nest by the waters; they sing among the branches. 13 He waters the mountains from his upper chambers; the earth is satisfied by the fruit of his work. 14 He makes grass grow for the cattle, and plants for man to cultivate-- bringing forth food from the earth: 15 wine that gladdens the heart of man, oil to make his face shine, and bread that sustains his heart. 16 The trees of the LORD are well watered, the cedars of Lebanon that he planted. 17 There the birds make their nests; the stork has its home in the pine trees. 18 The high mountains belong to the wild goats; the crags are a refuge for the coneys. 19 The moon marks off the seasons, and the sun knows when to go down. 20 You bring darkness, it becomes night, and all the beasts of the forest prowl. 21 The lions roar for their prey and seek their food from God. 22 The sun rises, and they steal away; they return and lie down in their dens. 23 Then man goes out to his work, to his labor until evening. 24 How many are your works, O LORD! In wisdom you made them all; the earth is full of your creatures. 25 There is the sea, vast and spacious, teeming with creatures beyond number-- living things both large and small. 26 There the ships go to and fro, and the leviathan, which you formed to frolic there. 27 These all look to you to give them their food at the proper time. 28 When you give it to them, they gather it up; when you open your hand, they are satisfied with good things. 29 When you hide your face, they are terrified; when you take away their breath, they die and return to the dust. 30 When you send your Spirit, they are created, and you renew the face of the earth. 31 May the glory of the LORD endure forever; may the LORD rejoice in his works-- 32 he who looks at the earth, and it trembles, who touches the mountains, and they smoke. 33 I will sing to the LORD all my life; I will sing praise to my God as long as I live. 34 May my meditation be pleasing to him, as I rejoice in the LORD. 35 But may sinners vanish from the earth and the wicked be no more. Praise the LORD, O my soul. Praise the LORD.

And here, from 1971, are words that to me build upon that foundation:

If you think that the world is going somewhere, that there are certain things that are supposed to happen and there are certain things that are supposed not to happen you never see the way it is like music. Music has no destination. We don' play it in order to get somewhere. If that were the way, the best orchestras would be those who got to the end of the piece the fastest. Music is a pattern which we listen to and enjoy as it unfolds. In the same way, "Where is the water going?" Where do the leaves go? Where are the clouds going? There not going anywhere because nature understands that the point of the whole thing is to be here, to be wide awake to the now that is going on. So when you listen to music you don't try to hold in your memory what is past or to think about what's coming. You listen to the pattern as it unfolds and so watch it as it moves now. It's a dance. And dancing is like music for when you dance you dance just to dance. You don't aim at a particular place on the floor that is your destination of the dance. You listen to the music and you move your body with it [as if] your eyes are following the patterns of the water.

The secret of...life is to spend some time every day in which you don't think but just watch, in which you don't form any ideas about life but look at it, listen to it, smell it, feel it. And when you get rid of all the talk in your head, all the ideas about what I do as distinct from what happen to me or what's the difference between man and nature or between what's mine and what's yours it all goes. and it's just the dancing pattern, what the Chinese call "li," the word that originally meant the markings in jade, the grain in wood, or...the pattern on water. When you let go of the definitions, of the attempt to try to pin down nature, to pin down life in your mind so that you can feel you are completely in control of it, its all based on the idea that you're different from it, that you have to master it. When you don't pin it down anymore, when you don't try to cling to it as if it was something different from you then your whole life has about it the sensation of flowing like water. It always goes away. but it always comes back because away and back are two sides of the same thing. Let it go!

Earth Day 2022 will soon be over in my woods but these passages where East meets West tell me that every day is an Earth day. For me the celebration indeed flows like water. Every day is day to spend some time in observing nature and practicing its wise stewardship. Five generations ago the Czech composer, Antonin Dvorak, spent his last summer in the United States in the Czech settlement of Spillville, Iowa. In two weeks there surrounded by a landscape of fields, farms, and families under the open skies of the prairie he composed what has become known as the American Quartet. It is a beautiful expression of the optimism of the American experience (see Alexis de Toqueville's Democracy in America) and a fine way to conclude remarks on what should be an uplifting celebration of the "big blue marble" we call Earth.

I hope this post encourages you to go OUTside and find your INside.







Sources

Photos and Illustrations:
Anderson painting, porterbriggs.com

John Muir: He Went Out For A Walk And Found He Was Really Going In

The great American naturalist and conservationist, John Muir, was born in Dunbar, East Lothian, Scotland, on this day in 1838. Through his personal efforts and the movements he supported with such fervor - he founded the Sierra Club - we can enjoy the spectacular wildness that is Yosemite National Park. 

President Theodore Roosevelt and John Muir on Glacier Point, Yosemite Valley, 1903

His efforts also help establish the national park movement that today provides us with more than 420 units administered by the National Park Service. And modeled after the national park idea, there are more than 6500 state parks and thousands of local parks and preserves to enjoy. Although Muir focused on the preservation of wilderness his work provided a structure for cultural resource preservation and management. That movement originated largely with Civil War commemorations late in the 19th century and accelerated through the benevolence of industrialist including Henry Ford (The Henry Ford Museum of American Innovation and Greenfield Village) and John D. Rockefeller Jr. (Colonial Williamsburg).

Muir in his beloved Yosemite Valley in 1890

Muir was a wanderer both physically and emotionally building upon his studies in botany and geology as he traveled. In 1868 he saw Yosemite Valley for the first time and soon realized he had found his calling in the world of the Sierra Nevada Mountains. This is how he described the revelation in his autobiographical notebook:

There are eight members in our family....All are useful members of society - save me. One is a healer of the sick. Another, a merchant, and a deacon in good standing. The rest school teachers and farmers' wives - all exemplary, stable, anti-revolutionary. Surely then, I thought, one may be spared for so fine an experiment.

. . . the remnants of compunction - the struggle covering the serious business of settling down -gradually wasted and melted, and at length left me wholly free - born again! I will follow my instincts, be myself for good or ill, and see what will be the upshot...As long as I live, I'll hear the waterfalls and birds and winds sing. I'll interpret the rocks, learn the language of flood, storm and the avalanche. I'll acquaint myself with the glaciers and wild gardens, and get as near the heart of the world as I can.

Muir lived to see the creation of Yosemite National Park in 1890 and the consolidation of control of the park - California had retained management of the Yosemite Valley and Mariposa Grove - by the federal government in 1906.

John Muir, seated. reading a book ca. 1912 May 29

Two years following his death in 1914 Congress created the National Park Service to manage the preservation and use of the growing number of national parks and monuments under federal jurisdictions.


To learn more about John Muir. Visit the John Muir Exhibit at the Sierra Club website. Yosemite National Park also has a fine tribute to Muir at this link.













Sources


Photos and Illustrations:
public domain photos, Library of Congress, Washington


Text:
wikipedia entry, John Muir
title based on quote cited in John of the Mountains: The Unpublished Journals of John Muir, ed. Linnie Marsh Wolfe, University of Wisconsin Press, 1979

Happy Birthday, Adolf!

Yes, today is Der Fuhrer's birthday. We remember him only as the last century's foremost mass murderer, challenged only by Mao Zedong, and followed by runners-up, Vladimir Lenin, Joseph Stalin, and Pol Pot. We could remember Der Fuhrer by listing his atrocities which remain well documented and commemorated in western culture. I choose to build on that foundation through the form of humor we know as satire. It's been described as the most effective form of ridicule by far and a staple in public discourse and entertainment beginning with the Greeks 2500 years ago. 

In our time the film industry has produced some wonderful examples of satire applied to Der Fuhrer. For some it is difficult to understand. In a 2018 National Public Radio interview, Mel Brooks, the comic who brought us The Producers explained his motivations for making the film: 

. . . Listen, get on a soapbox with Hitler, you're gonna lose — he was a great orator. But if you can make fun of him, if you can have people laugh at him, you win. . . . The comedy writer is like the conscience of the king . . . . He's got to tell him the truth. And that's my job: to make terrible things entertaining.

I would add the terrible things not only become entertaining but also survivable, understood, and acceptable. Yes, there is healing in this humor.

Here are three examples, first from Charlie Chaplin's, The Great Dictator (1940), and second and third, from Mel Brooks's, The Producers (1968).

And from The Producers, it's "Springtime For Hitler."

Sources

Photos and Illustrations:
Hitler pin cushion figurine, World War II era, OTR personal collection

Text:
NPR Morning Edition interview with Susan Stamberg, April 26, 2018, https://www.npr.org/2018/04/26/605297774/mel-brooks-says-its-his-job-to-make-terrible-things-entertaining

They're Microbes But At Least They're Our Microbes

 

With the Omicron variant of Covid-19 in what appears to be a decline in severity and numbers and 75% of US adults vaccinated it's great to see the masks and isolation disappear and daily routines restored - with some adaptation - to pre-pandemic norms. At the same time we have to remember that this disease and its variants join a pantheon of respiratory infections we can expect to see every year. We'll learn to live with this risk as humans always have. 

H.G. Wells probably got it right when nature's biological weapons took care of the Martians in his book, War of the Worlds. I watched George Pal's 1953 film adaptation of that book with a group of older cousins. We were lying on blankets at a drive-in theater under a canopy of stars. That night any one of those twinkling lights overhead could have been a Martian spacecraft on its way to Earth. I was seven that year, perhaps a bit young to be watching such an impressionable film, especially the scene of a slowly dying hand creeping out of the war machine. But I survived and went on to enjoy all the decades of horror Hollywood and England could produce.

Interestingly, the same year that War of the Worlds hit the screen for the first time, Dr. Jonas Salk announced a vaccine to prevent poliomyelitis. The disease had become the most terrifying public health issue in the post-war U.S. Attacking mostly children, there were tens of thousands of cases each year and, up to 1952, the numbers were increasing. Today polio is on the threshold of eradication. That could have been said for other diseases a decade ago, but now they are a growing threat, especially among what the London Daily Mail in 2009 called the "Victorian" diseases. The reason: unwarranted fear of the DTP and MMR vaccines.

Granted, any medical procedure or application of medical science involves some risk to health. Where there is too much risk or flawed research or outright crime, appropriate actions must be taken. But risk to life safety is inevitable. Weighing those risks is a personal decision that should be based on reasonable evidence. Too often, we do not hear the good news verifying low risk to health and safety. Instead, we hear the opposite, and it can be news based on the persuasive performances of trial lawyers out to win a living, not earn the truth. In this climate, exacerbated by mistrust, emotion and fear, we can lose site of that reasonable evidence and place ourselves and those we love at serious risk.

Diphtheria, tetanus. pertussis (whooping cough) - DTP - and measles, mumps, and rubella - MMR - the diseases that ravaged our ancestors, are now ascending in many parts of the developed world. All of these diseases could be prevented easily with injections of vaccines that have very, very low risks. Virtually all medical professionals recommend the vaccinations rather than risking damage or death from the diseases. Given the much higher risks we take for granted everyday, the risks from a vaccination seem more than acceptable. Why give these biological weapons the advantage? If we ignore them, they could win the war of this world.

Easter 2022

Easter Changes Everything!

Christ is Risen!

The Angel Rolling The Stone Away From the Sepulchre      William Blake, ca. 1808

Thine be the glory, risen, conquering Son;

endless is the victory, thou o'er death hast won;

angels in bright raiment rolled the stone away,

kept the folded grave clothes where thy body lay.

Refrain:

Thine be the glory, risen conquering Son,

Endless is the vict'ry, thou o'er death hast won.

Lo! Jesus meets us, risen from the tomb;

Lovingly he greets us, scatters fear and gloom;

let the Church with gladness, hymns of triumph sing;

for her Lord now liveth, death hath lost its sting.

No more we doubt thee, glorious Prince of life;

life is naught without thee; aid us in our strife;

make us more than conquerors, through thy deathless love:

bring us safe through Jordan to thy home above.

Christ As The Redeemer Of Man        William Blake, ca. 1808

He is Risen indeed!

Sources


Photos and Illustrations:

Blake images, collections.vam.ac.uk, Victoria and Albert Museum, London

Remembering The Little Tramp, Charlie Chaplin, On His Birthday

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If you took a photograph of the "Little Tramp" to almost any corner of the world touched by Western culture, chances are, someone would recognize it. That's a powerful statement given that the character hasn't appeared in a film for over seventy years. Greatness persists. And so it is with Charlie Chaplin, born on this date in London in 1889.

In his 88 years, he graced the world of entertainment as a performer, director, producer, businessman, and composer. His concern for everyday people and their often difficult lives was a common theme in virtually all his films as well as his private life. Such humanitarian sympathies led him to ally with well-known leftist in the U.S. and eventually leave the country in the early 1950s'. Through it all, his endearing, bumbling yet refined tramp brought laughter and awareness to millions.

Take some time today to visit Chaplin's official site. The biography page is especially useful, providing information about nine "masterpiece features" and a complete filmography. Chaplin has three films on the American Film Institute's Greatest Films of All Time list. They are: City Lights (1931) at #11, The Gold Rush (1925) at #58, and Modern Times (1936) at #78. It's important to keep in mind that Chaplin was the director, producer, writer, star, composer, and editor for all of these films except Modern Times, edited by Willard Nico.

My personal favorite among all of his films is The Great Dictator (1940). Interestingly, this film was Chaplin's first "talkie." In it Chaplin portrays two characters, the "Little Tramp" variation of a Jewish veteran of World War I attempting to reestablish his life as a barber, and Adenoid Hynkel, dictator of Tomainia. Any resemblance between Adenoid Hynkel and Adolph Hitler is completely intentional. The film is a masterful piece of political satire made as an appeal to Americans and their leadership to wake up to the threat of Nazi Germany. It's often cited as the finest example of the use of ridicule in film in the twentieth century.

Here are two clips from The Great Dictator. First is the famous "globe scene," and second, "Benzino Napaloni - played to ridiculous perfection by Jack Oakie - meets Adenoid Hynkel at the train station."

A day without laughter is a day wasted.

                                                                                                   Charlie Chaplin

Holy Saturday 2022

Holy Saturday . . . is the sound of perfect silence. Yesterday's mockery, the good thief's prayer, the cry of dereliction - all of that is past now. Mary has dried her tears, and the whole creation is still, waiting for what will happen next.

Christ in the Sepulchre William Blake, 1808

Today, there is a great silence. The Savior has died. He rests in the tomb. Many hearts were filled with uncontrollable grief and confusion. Was He really gone? Had all their hopes been shattered? These and many other thoughts of despair filled the minds and hearts of so many who loved and followed Jesus.

It is on this day that we honor the fact that Jesus was still preaching. He descended to the land of the dead, to all the holy souls who had gone before Him, so as to bring them His gift of salvation. He brought His gift of mercy and redemption to Moses, Abraham, the prophets and so many others. This was a day of great joy for them. But a day of great sorrow and confusion for those who watched their Messiah die on the Cross.

Holy Saturday should be a reminder to us that even those things which seem to be the worst of tragedies are not always what they seem. God the Son was obviously doing great things as He laid in the tomb. He was accomplishing His mission of redemption. He was changing lives and pouring forth grace and mercy.

With the altar stripped bare and the Divine Service unspoken, the wait in silence resonates.

Sources

Photos and Illustrations:
collections.vam.ac.uk/item/O74285/the-angels-hovering-over-the-watercolour-blake-william/

Text:

The opening quotation was taken from an excerpt from Death on A Friday Afternoon, by Richard John Neuhaus. The excerpt was posted on firstthings.com in 2007.
Second quotation, cathoicreadings.org, Holy Saturday entry

Good Friday 2022

 

For contemplation on this holy day . . . 

Crucifixion (Corpus Hypercubus)           Salvador Dali, 1954

Stay with me, remain here with me, watch and pray!
Stay here and keep watch with me. Watch and pray, watch and pray!
Watch and pray not to give way to temptation.
The spirit is eager, but the flesh is weak.
My heart is nearly broken with sorrow. Remain here with me, stay awake and pray.
Father, if it is possible, let this cup pass me by.
Father, if this cannot pass me by without my drinking it, your will be done

Christ of Saint John of the Cross      Salvador Dali, 1951 

For more information on the Christian dimension of Dali's surrealistic interpretation of the Crucifixion in Corpus Hypercubus go here and here, for Christ of Saint John of the Cross go here and here.

A President Enters Sainthood

Abraham Lincoln Photo Portrait, early 1865   Alexander Gardner

Today marks the 157th anniversary of the assassination (1865) of President Abraham Lincoln at Ford's Theatre in Washington. He was taken across the street to the home of William and Anna Peterson where died shortly after 7:00 a.m. the following morning. The theatre remained closed for over a century. It reopened in 1968 as a performance venue and national historic site that included the Peterson House. Today it is owned by the National Park Service and operated through a partnership agreement with the Ford's Theatre Society.

Ford's Theatre 514 10th Street NW, Washington, DC

President Lincoln and his son, Tad. February 5, 1865

For more information on this event, the place where it occurred, and its impact on the American experience explore the Ford's Theatre National Historic Site web page.

Sources


Photographs and Illustrations:

Ford Theatre photographs, Ford's Theatre National Historic Site
Lincoln photograph, Alexander Gardner. Abraham Lincoln with his son Tad (Thomas), February 5, 1865. Prints and Photographs Division, Library of Congress (140) Digital ID # cph-3a05994

Lincoln Memorial, Official White House Photo, Chuck Kennedy, 2013, public domain