A Giant Leap In Epic High Fantasy

 

For fantasy fiction fans this day in 1954 has great significance. It is the day that J.R.R. Tolkien's The Fellowship of the Ring first appeared on store shelves in the United Kingdom. The book was the first of three volumes in the high fantasy novel we know today as The Lord of the Rings. A used copy of that first edition with its original dust jacket would fetch an owner at least $6500. An autographed copy would easily be in six figures as Tolkien was a bit of an introvert and disliked autographing his books. I doubt that sum would matter much to true fans. To them the words within are priceless.

Who was the man behind this beloved three volume narrative we know as The Lord of the Rings? The 1968 BBC video below contains some footage of an interview and explores Tolkien's real and imaginary worlds. The audio is not the best so viewers may want to use earbuds or headphones.

Below is a probing, fast-paced, and well-known Tolkien interview from BBC Radio in 1964. It was first broadcast in 1971. All of Tolkien's brilliance and eccentricity is on full display in this wide-ranging look at one of the most beloved writers of the last century. 

It would take a generation after his death (1973) before a cinematic version of his great work would, perhaps could, appear. The Lord of the Rings film series produced between 2001 and 2003 not only created a new generation of readers but also energized existing Tolkien fans to reexamine his work. All of this new energy and imagination has had a significant effect on the world of fiction and fiction writing. Tolkien's creative genius and the publication of Fellowship of the Ring - and The Hobbit - started the surge. We can't say with precision where that surge takes us but we can be certain that Tolkien's legacy will be enjoyed and expanded long into the years ahead.






Sources

Photo:
tolkienlibrary.com

Text:
wikipedia.com, J.R.R.Tolkien
tolkienestate.com
"Why Did Tolkien Write The Lord of the Rings," Michael Martinez, middle-earth.xenite.org

Jean Shepherd: The Man Behind Ralphie And His Unforgettable Christmas

 

Mention "Ralphie" and "Red Ryder BB gun" in the same breath and I'd say most people could make an immediate connection with the film, A Christmas Story. On the other hand, most people probably know very little about the remarkable personality behind that story. His name is Jean Shepherd.

He was born on July 26, 1921, on Chicago's south side and raised in nearby Hammond, Indiana. After serving in World War II, Shepherd began a career in broadcasting that expanded into writing, film, and live performance. He was heard on late night radio for over twenty years - all unscripted - on New York's WOR where he entertained listeners with his humorous stories, interviews, and practical jokes. Shepherd hosted a television show for WOR as well, but he is best remembered in video narrating a number of productions based on his stories of growing up in the Midwest. Many of the scripts were so popular they later appeared in print. Here is the storyteller at his best on his traditional Christmas Eve broadcast on WOR in 1974. A Christmas Story would emerge from these broadcasts in 1983.

Psychology tells us that humorists often do not have the happiest of life stories. Shepherd was no exception. Although he surely had the talent to become a well-known national treasure, radio did not provide him coast-to-coast exposure available with the new medium of television. He was fiercely independent, a maverick, and one not to take life too seriously. I can imagine he was a threat to the ego of more than one radio executive. Furthermore, he was a "night owl" on radio, broadcasting to a dedicated but smaller audience, and in direct competition with televised local news and the likes of Johnny Carson and The Tonight Show. In fact this warm story by a fan notes that Shepherd likely was in line to take over The Tonight Show with Steve Allen's departure in 1957 but Jack Paar had the right of first refusal with the NBC network. Paar unexpectedly accepted thus denying Shepherd his big break on one of television's most popular shows. Finally, from my research, it seems Shepherd maligned his radio work when he moved into writing film for television in the '70s. Indeed, it apparently was a clean break - maybe the execs were happier without him - and he did go on to success with films, including The Phantom of the Open Hearth, The Great American Fourth of July and Other Disasters, and Ollie Hopnoodle's Haven of Bliss. Still, I think the fates denied him the opportunity to become a big television star in the 1950's and much better well-known in his lifetime.

Without question, his best known contribution to American humor is A Christmas Story, a compilation of stories and characters drawn from his earlier work. It was originally produced as a feature film in 1983 and made the transition into a television classic thanks to the persistence of Ted Turner. Almost any man born before 1950 has lived some or all of Ralphie's/Shep's childhood. Each man's path to adulthood is his own, but the markers are identical. Jean Shepherd was a genius at capturing them. And his skills as a narrator made him a natural at weaving life's common threads into humorous and entertaining listening.

". . . the soft glow of electric sex gleaming in the window."

Shepherd died 26 years ago on Sanibel Island, Florida, remembered for one film produced in 1983 when he was 62. There's much more to him than that and I hope more people come to enjoy his work. The settings now and in the future will be different but the collected experiences from childhood and adolescence remain similar and often age into fine wine. Thanks to Shepherd we can laugh at past times and enjoy the harvest.

If you want to explore more of Shepherd's work, the made-for-television film, The Phantom of the Open Hearth, is the place to start. It premiered at Christmas 1976 on public television as a humorous glimpse of Ralphie's teen angst during his high school years in the Midwest. You'll see many of the characters and storylines - yes, the leg lamp is there - that appear in A Christmas Story. These days Phantom is a cult classic among Shepherd fans. If you want to join the cult you can watch the film for free on You Tube.

The First Full Day Of Summer

About ninety minutes before midnight last night the s astronomical event we know as the summer solstice introduced the season on the East Coast of the US.  Today, the first full day of summer, the sun reached its highest point in the sky in the northern hemisphere producing the longest day and shortest night of the year.

Summer solstice sunrise at Stonehenge, Wiltshire, England

Although the sun begins its daily descent from that highest point tomorrow, insolation from our star will continue to raise atmospheric temperatures until late July. As this day marks the end of the season of renewal and the beginning of the season of growth and flower, I am reminded of this quote by the renowned American novelist, essayist, and critic, D. H. Lawrence:

The greatest need of man is the renewal forever of the complete rhythm of life and death, the rhythm of the sun's year, the body's year

There's plenty of interesting and appropriate music for the day including this 13th century English round:

Middle English

Sumer is icumen in

Lhude sing cuccu!

Groweþ sed and bloweþ med

And springþ þe wde nu,

Sing cuccu!

Awe bleteþ after lomb,

Lhouþ after calue cu.

Bulluc sterteþ, bucke uerteþ,

Murie sing cuccu!

Cuccu, cuccu, wel singes þu cuccu;

Ne swik þu nauer nu.

Pes:

Sing cuccu nu. Sing cuccu.

Sing cuccu. Sing cuccu nu!

Modern English

Summer has arrived,

Loudly sing, Cuckoo!

The seed grows and the meadow

blooms

And the wood springs anew,

Sing, Cuckoo!

The ewe bleats after the lamb

The cow lows after the calf.

The bullock stirs, the stag farts,

Merrily sing, Cuckoo!

Cuckoo, cuckoo, well you sing,

cuckoo;

Don't ever you stop now,

Sing cuckoo now. Sing, Cuckoo.

Sing Cuckoo. Sing cuckoo now!

Here is a tone poem, A Song of Summer, written some 700 years later by Frederick Delius and transcribed and arranged by Eric Fenby:

And then there is summer as the season of youth, the school break, the summer job, of free time and good friends, and for many what the renowned mythologist Joseph Campbell called "friendship set to music."

May your summer living be easy and wonder-filled.











Sources

Photos and Illustrations:
photo, nasa.gov

Text:
thoughtcatalog.com

Walt Whitman: On Being In America

The American poet and essayist, Walt Whitman, was born on this day in 1819 in West Hills, Long Island, New York. His formal education ended after six years but his insatiable desire to learn immersed him in libraries, museums, lectures, salons, and landscapes in and around New York. His life as a poet, essayist, journalist and humanitarian would take him to New Orleans, Washington, Boston, and Camden, New Jersey, but his associations in New York would make the greater metropolitan area the hub of his career.

Whitman in 1887

A free spirit easily recognized as the most extraordinary poet of his time, Whitman bridged the American experience from the early Romantic period in literature to the advent of hard realism as the end of the century approached. I'm not sure what presence he has these days in public school systems across the country but baby boomers - born between 1946 and 1964 - had a full dose of his poetry beginning in elementary school. For more information on Whitman, including an extensive biography, visit the outstanding resources at the Walt Whitman Archive.

For an example of his work here is "One's-Self I Sing," the introductory poem to the third and last section of his collection, Leaves of Grass, as published in 1867.

ONE’S-SELF I sing—a simple, separate Person,

Yet utter the word Democratic, the word En-masse.

Of Physiology from top to toe I sing;

Not physiognomy alone, nor brain alone, is worthy for the muse—I say the

Form complete is worthier far;

The Female equally with the male I sing.

Of Life immense in passion, pulse, and power,

Cheerful—for freest action form’d, under the laws divine,

The Modern Man I sing.

Much of Whitman's poetry has been set to music. Sometimes the blend of music and existing poetry as opposed to lyric has limited success and authors often do not think favorably of such adaptations. I believe Whitman would have approved especially with the music coming from a fellow impressionist, in this case Frederick Delius. This composition has been a personal favorite for forty years. The recording features the superb Welsh baritone, Bryn Terfel, and the Bournemouth Symphony Orchestra and Chorus under the baton of Richard Hickox. If you want to follow the text it's available here.

Here is a brief, well-known poem brought to a new generation through it's use in the 1989 film, Dead Poets Society.

Sources

Photos and Illustrations:
public domain photo, George Collins Cox, restored by Adam Cuerden, Library of Congress Prints and Photographs Division

Text:
whitmanarchive.org
Walt Whitman entry, wikipedia.org
One's Self I Sing, wikipedia.org

The Genius Of American Graffiti

In 1973 the following movie industry names were virtually unknown: George Lucas, Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Mackenzie Phillips, Bo Hopkins, Cindy Williams, Harrison Ford, Candy Clark, Kathleen Quinlan, and Susan Somers. Lucas was a 28 year-old aspiring director with one mediocre film - THX-1138 - on his resume. He had been thinking for some time about a coming-of-age film based on his personal experience growing up in Modesto, California in the early '60's. That film, American Graffiti, featuring the actors in the list above reached American theaters in July 1973. Aside from its themes the only recognizable aspects of the film were its soundtrack filled with 41 hit songs and Wolfman Jack, a legendary deejay who had previously been known to his vast audience almost exclusively through his unforgettable radio persona.

Production struggled from the start and the studio that thought so little of the final product recommended it as a television movie. Only the enthusiastic conversations of studio employees overheard by the execs saved the film from the mediocrity of television. Perhaps the product was a poor fit for management but it was a blockbuster hit with audiences. To date the film and its associated products have earned over half a billion 2015 dollars for its owners.

Earning were only a part of the story. All of the unknowns on our earlier list became household names in the entertainment industry. The film also launched a huge wave of interest in nostalgia for the "good old days" of the 1950's. Ron Howard in particular rode that wave through its full cycle to directorial success and beyond.

Matt Singer writing at the dissolve.com helps us understand the films appeal:

[What] is the secret to American Graffiti’s success, the reason it resonated so strongly with viewers in 1973 and every generation since: It isn’t simply a nostalgic movie, it’s a nostalgic movie about nostalgia. Lucas could have set the film in 1959, when Steve, Curt, and John were still in high school and still cruising night after endless night. Instead, Graffiti begins right as the fun is about to end, and gives its characters just enough self-awareness to recognize that this is last call at the party. George Lucas isn’t the only one mourning for this magical lost era; the characters onscreen mourn right along with him.

1962 was a fortuitous year for a young American like Lucas to lose his innocence. Soon, the entire country faced similar disillusionment. A year after Lucas’ (and American Graffiti’s) accident, President Kennedy was shot in Dallas. The Vietnam War quickly escalated, claiming tens of thousands of American lives. Martin Luther King Jr. and Robert Kennedy were both assassinated in 1968. By the time American Graffiti was released in August 1973, the Watergate scandal was in full, ignominious swing. Like Lucas’ Star Wars, a futuristic movie anachronistically set “a long time ago in a galaxy far, far away,”American Graffiti is a chronicle of a simpler time that has since vanished from the universe as if it never existed. And like Star Wars, it follows a teen as he contemplates leaving behind his provincial hometown for an exciting destiny elsewhere.

American Graffiti ranks #62 on the American Film Institute's list of greatest films. In a decade I would not be surprised to see it move into the top 50. It's not quite a masterpiece but it is an innovative and beautifully executed piece of art that foreshadowed the genius of its creator and impacted much of the nation's popular culture for a generation and beyond.

Tolkien Forges The Fellowship Of The Ring

 

For fantasy fiction fans this day in 1954 has great significance. It is the day that J.R.R. Tolkien's The Fellowship of the Ring first appeared on store shelves in the United Kingdom. The book was the first of three volumes in the high fantasy novel we know today as The Lord of the Rings. A used copy of that first edition with its original dust jacket would fetch an owner at least $6500. An autographed copy would easily be in six figures as Tolkien was a bit of an introvert and disliked autographing his books. I doubt that sum would matter much to true fans. To them the words within are priceless.

Who was the man behind this beloved three volume narrative we know as The Lord of the Rings? The 1968 BBC video below contains some footage of an interview and explores Tolkien's real and imaginary worlds. The audio is not the best so viewers may want to use earbuds or headphones.

Below is a probing, fast-paced, and well-known Tolkien interview from BBC Radio in 1964. It was first broadcast in 1971. All of Tolkien's brilliance and eccentricity is on full display in this wide-ranging look at one of the most beloved writers of the last century.

It would take a generation after his death (1973) before a cinematic version of his great work would, perhaps could, appear. The Lord of the Rings film series produced between 2001 and 2003 not only created a new generation of readers but also energized existing Tolkien fans to reexamine his work. All of this new energy and imagination has had a significant effect on the world of fiction and fiction writing. Tolkien's creative genius and the publication of Fellowship of the Ring - and The Hobbit - started the surge. We can't say with precision where that surge takes us but we can be certain that Tolkien's legacy will be enjoyed and expanded long into the years ahead.






Sources

Photo:
tolkienlibrary.com

Text:
wikipedia.com, J.R.R.Tolkien
tolkienestate.com
"Why Did Tolkien Write The Lord of the Rings," Michael Martinez, middle-earth.xenite.org

Jean Shepherd: Storyteller For All Of Us

Mention "Ralphie" and "Red Ryder BB gun" in the same breath and I'd say most people could make an immediate connection with the film, A Christmas Story. On the other hand, most people probably know very little about the remarkable personality behind that story. His name is Jean Shepherd.

He was born on July 26, 1921, on Chicago's south side and raised in nearby Hammond, Indiana. After serving in World War II, Shepherd began a career in broadcasting that expanded into writing, film, and live performance. He was heard on late night radio for over twenty years - all unscripted - on New York's WOR where he entertained listeners with his humorous stories, interviews, and practical jokes. Shepherd hosted a television show for WOR as well, but he is best remembered in video narrating a number of productions based on his stories of growing up in the Midwest. Many of the scripts were so popular they later appeared in print. Here is the storyteller at his best on his traditional Christmas Eve broadcast on WOR in 1974. A Christmas Story would emerge from these broadcasts in 1983.

Psychology tells us that humorists often do not have the happiest of life stories. Shepherd was no exception. Although he surely had the talent to become a well-known national treasure, radio did not provide him coast-to-coast exposure available with the new medium of television. He was fiercely independent, a maverick, and one not to take life too seriously. I can imagine he was a threat to the ego of more than one radio executive. Furthermore, he was a "night owl" on radio, broadcasting to a dedicated but smaller audience, and in direct competition with televised local news and the likes of Johnny Carson and The Tonight Show. In fact this warm story by a fan notes that Shepherd likely was in line to take over The Tonight Show with Steve Allen's departure in 1957 but Jack Paar had the right of first refusal with the NBC network. Paar unexpectedly accepted thus denying Shepherd his big break on one of television's most popular shows. Finally, from my research, it seems Shepherd maligned his radio work when he moved into writing film for television in the '70s. Indeed, it apparently was a clean break - maybe the execs were happier without him - and he did go on to success with films, including The Phantom of the Open Hearth, The Great American Fourth of July and Other Disasters, and Ollie Hopnoodle's Haven of Bliss. Still, I think the fates denied him the opportunity to become a big television star in the 1950's and much better well-known in his lifetime.

Without question, his best known contribution to American humor is A Christmas Story, a compilation of stories and characters drawn from his earlier work. It was originally produced as a feature film in 1983 and made the transition into a television classic thanks to the persistence of Ted Turner. Almost any man born before 1950 has lived some or all of Ralphie's/Shep's childhood. Each man's path to adulthood is his own, but the markers are identical. Jean Shepherd was a genius at capturing them. And his skills as a narrator made him a natural at weaving life's common threads into humorous and entertaining listening.

". . . the soft glow of electric sex gleaming in the window."

Shepherd died 25 years ago on Sanibel Island, Florida, remembered for one film produced in 1983 when he was 62. There's much more to him than that and I hope more people come to enjoy his work. The settings now and in the future will be different but the collected experiences from childhood and adolescence remain similar and often age into fine wine. Thanks to Shepherd we can laugh at past times and enjoy the harvest.

If you want to explore more of Shepherd's work, the made-for-television film, The Phantom of the Open Hearth, is the place to start. It premiered at Christmas 1976 on public television as a humorous glimpse of Ralphie's teen angst during his high school years in the Midwest. You'll see many of the characters and storylines - yes, the leg lamp is there - that appear in A Christmas Story. These days Phantom is a cult classic among Shepherd fans. If you want to join the cult you can watch the film for free on You Tube.

Walt Whitman: He Was America Singing

The American poet and essayist, Walt Whitman, was born on this day in 1819 in West Hills, Long Island, New York. His formal education ended after six years but his insatiable desire to learn immersed him in libraries, museums, lectures, salons, and landscapes in and around New York. His life as a poet, essayist, journalist and humanitarian would take him to New Orleans, Washington, Boston, and Camden, New Jersey, but his associations in New York would make the greater metropolitan area the hub of his career.

Whitman in 1887

A free spirit easily recognized as the most extraordinary poet of his time, Whitman bridged the American experience from the early Romantic period in literature to the advent of hard realism as the end of the century approached. I'm not sure what presence he has these days in public school systems across the country but baby boomers - born between 1946 and 1964 - had a full dose of his poetry beginning in elementary school. For more information on Whitman, including an extensive biography, visit the outstanding resources at the Walt Whitman Archive.

For an example of his work here is "One's-Self I Sing," the introductory poem to the third and last section of his collection, Leaves of Grass, as published in 1867.

ONE’S-SELF I sing—a simple, separate Person,

Yet utter the word Democratic, the word En-masse.

Of Physiology from top to toe I sing;

Not physiognomy alone, nor brain alone, is worthy for the muse—I say the

Form complete is worthier far;

The Female equally with the male I sing.

Of Life immense in passion, pulse, and power,

Cheerful—for freest action form’d, under the laws divine,

The Modern Man I sing.

Much of Whitman's poetry has been set to music. Sometimes the blend of music and existing poetry as opposed to lyric has limited success and authors often do not think favorably of such adaptations. I believe Whitman would have approved especially with the music coming from a fellow impressionist, in this case Frederick Delius. This composition has been a personal favorite for forty years. The recording features the superb Welsh baritone, Bryn Terfel, and the Bournemouth Symphony Orchestra and Chorus under the baton of Richard Hickox. If you want to follow the text it's available here.

Here is a brief, well-known poem brought to a new generation through it's use in the 1989 film, Dead Poets Society.

Sources

Photos and Illustrations:
public domain photo, George Collins Cox, restored by Adam Cuerden, Library of Congress Prints and Photographs Division

Text:
whitmanarchive.org
Walt Whitman entry, wikipedia.org
One's Self I Sing, wikipedia.org

American Graffiti At 50

In 1973 the following movie industry names were virtually unknown: George Lucas, Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Mackenzie Phillips, Bo Hopkins, Cindy Williams, Harrison Ford, Candy Clark, Kathleen Quinlan, and Susan Somers. Lucas was a 28 year-old aspiring director with one mediocre film - THX-1138 - on his resume. He had been thinking for some time about a coming-of-age film based on his personal experience growing up in Modesto, California in the early '60's. That film, American Graffiti, featuring the actors in the list above reached American theaters on this day in 1973. Aside from its themes the only recognizable aspects of the film were its soundtrack filled with 41 hit songs and Wolfman Jack, a legendary deejay who had previously been known to his vast audience almost exclusively through his unforgettable radio persona.

Production struggled from the start and the studio that thought so little of the final product recommended it as a television movie. Only the enthusiastic conversations of studio employees overheard by the execs saved the film from the mediocrity of television. Perhaps the product was a poor fit for management but it was a blockbuster hit with audiences. To date the film and its associated products have earned over half a billion 2015 dollars for its owners.

Earning were only a part of the story. All of the unknowns on our earlier list became household names in the entertainment industry. The film also launched a huge wave of interest in nostalgia for the "good old days" of the 1950's. Ron Howard in particular rode that wave through its full cycle to directorial success and beyond.

Matt Singer writing at the dissolve.com helps us understand the films appeal:

[What] is the secret to American Graffiti’s success, the reason it resonated so strongly with viewers in 1973 and every generation since: It isn’t simply a nostalgic movie, it’s a nostalgic movie about nostalgia. Lucas could have set the film in 1959, when Steve, Curt, and John were still in high school and still cruising night after endless night. Instead, Graffiti begins right as the fun is about to end, and gives its characters just enough self-awareness to recognize that this is last call at the party. George Lucas isn’t the only one mourning for this magical lost era; the characters onscreen mourn right along with him.

1962 was a fortuitous year for a young American like Lucas to lose his innocence. Soon, the entire country faced similar disillusionment. A year after Lucas’ (and American Graffiti’s) accident, President Kennedy was shot in Dallas. The Vietnam War quickly escalated, claiming tens of thousands of American lives. Martin Luther King Jr. and Robert Kennedy were both assassinated in 1968. By the time American Graffiti was released in August 1973, the Watergate scandal was in full, ignominious swing. Like Lucas’ Star Wars, a futuristic movie anachronistically set “a long time ago in a galaxy far, far away,”American Graffiti is a chronicle of a simpler time that has since vanished from the universe as if it never existed. And like Star Wars, it follows a teen as he contemplates leaving behind his provincial hometown for an exciting destiny elsewhere.

American Graffiti ranks #62 on the American Film Institute's list of greatest films. In a decade I would not be surprised to see it move into the top 50. It's not quite a masterpiece but it is an innovative and beautifully executed piece of art that foreshadowed the genius of its creator and impacted much of the nation's popular culture for a generation and beyond.

Tolkien Shapes The First Chapter Of The Rings

For fantasy fiction fans this day in 1954 has great significance. It is the day that J.R.R. Tolkien's The Fellowship of the Ring first appeared on store shelves in the United Kingdom. The book was the first of three volumes in the high fantasy novel we know today as The Lord of the Rings. A used copy of that first edition with its original dust jacket would fetch an owner at least $6500. An autographed copy would easily be in six figures as Tolkien was a bit of an introvert and disliked autographing his books. I doubt that sum would matter much to true fans. To them the words within are priceless.

Who was the man behind this beloved three volume narrative we know as The Lord of the Rings? The 1968 BBC video below contains some footage of an interview and explores Tolkien's real and imaginary worlds. The audio is not the best so viewers may want to use earbuds or headphones.

Below is a probing, fast-paced, and well-known Tolkien interview from BBC Radio in 1964. It was first broadcast in 1971. All of Tolkien's brilliance and eccentricity is on full display in this wide-ranging look at one of the most beloved writers of the last century. 

It would take a generation after his death (1973) before a cinematic version of his great work would, perhaps could, appear. The Lord of the Rings film series produced between 2001 and 2003 not only created a new generation of readers but also energized existing Tolkien fans to reexamine his work. All of this new energy and imagination has had a significant effect on the world of fiction and fiction writing. Tolkien's creative genius and the publication of Fellowship of the Ring - and The Hobbit - started the surge. We can't say with precision where that surge takes us but we can be certain that Tolkien's legacy will be enjoyed and expanded long into the years ahead.






Sources

Photo:
tolkienlibrary.com

Text:
wikipedia.com, J.R.R.Tolkien
tolkienestate.com
"Why Did Tolkien Write The Lord of the Rings," Michael Martinez, middle-earth.xenite.org

Jean Shepherd: American Storyteller

Mention "Ralphie" and "Red Ryder BB gun" in the same breath and I'd say most people could make an immediate connection with the film, A Christmas Story. On the other hand, most people probably know very little about the remarkable personality behind that story. His name is Jean Shepherd.

He was born on this day in 1921 on Chicago's south side and raised in nearby Hammond, Indiana. After serving in World War II, Shepherd began a career in broadcasting that expanded into writing, film, and live performance. He was heard on late night radio for over twenty years - all unscripted - on New York's WOR where he entertained listeners with his humorous stories, interviews, and practical jokes. Shepherd hosted a television show for WOR as well, but he is best remembered in video narrating a number of productions based on his stories of growing up in the Midwest. Many of the scripts were so popular they later appeared in print. Here is the storyteller at his best on his traditional Christmas Eve broadcast on WOR in 1974. A Christmas Story would emerge from these broadcasts in 1983.

Psychology tells us that humorists often do not have the happiest of life stories. Shepherd was no exception. Although he surely had the talent to become a well-known national treasure, radio did not provide him coast-to-coast exposure available with the new medium of television. He was fiercely independent, a maverick, and one not to take life too seriously. I can imagine he was a threat to the ego of more than one radio executive. Furthermore, he was a "night owl" on radio, broadcasting to a dedicated but smaller audience, and in direct competition with televised local news and the likes of Johnny Carson and The Tonight Show. In fact this warm story by a fan notes that Shepherd likely was in line to take over The Tonight Show with Steve Allen's departure in 1957 but Jack Paar had the right of first refusal with the NBC network. Paar unexpectedly accepted thus denying Shepherd his big break on one of television's most popular shows. Finally, from my research, it seems Shepherd maligned his radio work when he moved into writing film for television in the '70s. Indeed, it apparently was a clean break - maybe the execs were happier without him - and he did go on to success with films, including The Phantom of the Open Hearth, The Great American Fourth of July and Other Disasters, and Ollie Hopnoodle's Haven of Bliss. Still, I think the fates denied him the opportunity to become a big television star in the 1950's and much better well-known in his lifetime.

Without question, his best known contribution to American humor is A Christmas Story, a compilation of stories and characters drawn from his earlier work. It was originally produced as a feature film in 1983 and made the transition into a television classic thanks to the persistence of Ted Turner. Almost any man born before 1950 has lived some or all of Ralphie's/Shep's childhood. Each man's path to adulthood is his own, but the markers are identical. Jean Shepherd was a genius at capturing them. And his skills as a narrator made him a natural at weaving life's common threads into humorous and entertaining listening.

". . . the soft glow of electric sex gleaming in the window."

Shepherd died 24 years ago on Sanibel Island, Florida, remembered for one film produced in 1983 when he was 62. There's much more to him than that and I hope more people come to enjoy his work. The settings now and in the future will be different but the collected experiences from childhood and adolescence remain similar and often age into fine wine. Thanks to Shepherd we can laugh at past times and enjoy the harvest.

If you want to explore more of Shepherd's work, the made-for-television film, The Phantom of the Open Hearth, is the place to start. It premiered at Christmas 1976 on public television as a humorous glimpse of Ralphie's teen angst during his high school years in the Midwest. You'll see many of the characters and storylines - yes, the leg lamp is there - that appear in A Christmas Story. These days Phantom is a cult classic among Shepherd fans. If you want to join the cult you can watch the film for free on You Tube.

Before Art Deco There Was The Ornamentation And Decoration Of Gustav Klimt

For over fifty years I have enjoyed a quiet obsession with something called the Wiener Werkstatte. It was a community of artists in Vienna that grew out of the Vienna Secession, itself a larger expression of the Arts and Crafts movement beginning in the late 19th century. My fascination with this theme began during a semester of cultural history in grad school focusing on organic form and function in urban planning and design. Little did I know that the interest would reemerge twenty years later with my involvement in the planning and design of parks, visitor centers, museum, exhibits, publications, and other facets of resource interpretation in the National Park Service. The organization itself has sustained elements of the Arts and Crafts theme in its branding, architecture, interior design, and graphic identity since its founding in 1916. It is appropriately called National Park Service rustic or, more informally, Parkitecture.

One of the most interesting members to emerge from the Arts and Crafts movement and the Vienna Secession was Gustav Klimt, born in Vienna on this day in 1862. He is described as a symbolist painter, one who focuses on mysticism and imagination. Like many artists his early work was described as academic. At 28 he found his muse in Emilie Louise Floge, a fashion designer and entrepreneur who greatly influenced his work during their life-long relationship. . Many art historians claim this 1907 painting, The Kiss, is the finest expression of their loving relationship:

This painting, Portrait of Adele Bloch-Bauer (1907), is also from what is called Klimt's "Gold Period" and is an equally familiar work:

It has an amazing history involving Nazi looting, museum purchase, decades of litigation, a $135,000,000 purchase price, art world disgust, one book, and five films, including the popular 2015 release, Woman in Gold.

As an artist active in the eras of Arts and Crafts, Art Nouveau, through Modernism's progression toward Art Deco, a style that emerged in the mid 1920s, there is much more to Klimt than the golden paintings. If you look at the body of his work you find he is a niche artist. At the same time you find the work compelling and complex to the point where it's easy to recognize his influence on material culture and imagination a century after his death.

Avenue in Schloss Kammer Park, 1912

Sources

Illustrations:
The Kiss, Osterreichische Galerie Bevedere, Vienna
Portrait of Adele Bloch-Bauer, The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202
Avenue in Schloss Kammer Park, Osterreichische Galerie Belvedere, Vienna

Text:
Gustav Klimt, Wikipedia.com
klimt.com
"Klimt Painted Much More Than 'The Woman In Gold'", Colton Valentine, Huffington Post, July 14, 2015

Tolkien"s Fellowship Of Myth And Imagination

 

For fantasy fiction fans this day in 1954 has great significance. It is the day that J.R.R. Tolkien's The Fellowship of the Ring first appeared on store shelves in the United Kingdom. Today, a used copy of that first edition with its original dust jacket would fetch an owner at least $6500. An autographed copy would easily be in six figures as Tolkien was a bit of an introvert and disliked autographing his books. I doubt that sum would matter much to true fans. To them the words within are priceless.

Who was the man behind this beloved three volume narrative we know as The Lord of the Rings? Below is some footage released in 2010 of a 1968 BBC program interviewing Tolkien and exploring his real and imaginary worlds. The audio is not the best so viewers may want to use earbuds or headphones.

Tolkien died about five years after this production. It would take another generation before a cinematic version of his great work would, perhaps could, appear. In the interim his imagination gave new energy to a full range of fiction writers. His is a rich legacy and one that will be enjoyed and expanded in the years head.







Sources

Photo:
tolkienlibrary.com

Text:
wikipedia.com, J.R.R.Tolkien
tolkienestate.com
"Why Did Tolkien Write The Lord of the Rings," Michael Martinez, middle-earth.xenite.org

The Many Styles Of Gustav Klimt

 

For over fifty years I have enjoyed a quiet obsession with something called the Wiener Werkstatte. It was a community of artists in Vienna that grew out of the Vienna Secession, itself a larger expression of the Arts and Crafts movement beginning in the late 19th century. My fascination with this theme began during a grad school course focusing on organic form and function in urban planning and design. The interest reemerged about fifteen years later with my involvement in the planning and design of parks, visitor centers, museum, exhibits, publications, and other facets of resource interpretation in the National Park Service. The organization itself has sustained an Arts and Crafts theme underlying its branding, architecture, and graphic identity since its founding in 1916.

One of the most interesting members to emerge from the Arts and Crafts movement and the Vienna Secession was Gustav Klimt, born in Vienna on this day in 1862. He is described as a symbolist painter, one who focuses on mysticism and imagination. Like many artists his early work was described as academic. At 28 he found his muse in Emilie Louise Floge, a fashion designer and entrepreneur who greatly influenced his work during their life-long relationship. . Many art historians claim this 1907 painting, The Kiss, is the finest expression of their loving relationship:

This painting, Portrait of Adele Bloch-Bauer (1907), is also from what is called Klimt's "Gold Period" and is probably more familiar:

It has an amazing history involving Nazi looting, museum purchase, decades of litigation, a $135,000,000 purchase price, art world disgust, one book, and five films, including the popular 2015 release, Woman in Gold.

As an artist active in the eras of Arts and Crafts, Art Nouveau, through Modernism's progression toward Art Deco, there is much more to Klimt than the golden paintings. If you look at the body of his work you find he is a niche artist. At the same time you find the work compelling and complex to the point where it's easy to recognize his influence on material culture and imagination a century after his death.

Avenue in Schloss Kammer Park, 1912

Sources

Illustrations:
The Kiss, Osterreichische Galerie Bevedere, Vienna
Portrait of Adele Bloch-Bauer, The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202
Avenue in Schloss Kammer Park, Osterreichische Galerie Belvedere, Vienna

Text:
Gustav Klimt, Wikipedia.com
klimt.com
"Klimt Painted Much More Than 'The Woman In Gold'", Colton Valentine, Huffington Post, July 14, 2015

Heroic Tradition Meets Modern Imagination: The Fellowship Of The Ring

For fantasy fiction fans this day in 1954 has great significance. It is the day that J.R.R. Tolkien's The Fellowship of the Ring first appeared on store shelves in the United Kingdom. Today, a used copy of that first edition with its original dust jacket would fetch an owner at least $6500. An autographed copy would easily be in six figures as Tolkien was a bit of an introvert and disliked autographing his books. I doubt that sum would matter much to true fans. To them the words within are priceless.

Who was the man behind this beloved three volume narrative we know as The Lord of the Rings? Below is some footage released in 2010 of a 1968 BBC program interviewing Tolkien and exploring his real and imaginary worlds. The audio is not the best so viewers may want to use earbuds or headphones.

Tolkien died about five years after this production. It would take another generation before a cinematic version of his great work would, perhaps could, appear. In the interim his imagination gave new energy to a full range of fiction writers. His is a rich legacy and one that will be enjoyed and expanded in the years head.

Sources

Photo:
tolkienlibrary.com

Text:
wikipedia.com, J.R.R.Tolkien
tolkienestate.com

"Why Did Tolkien Write The Lord of the Rings," Michael Martinez, middle-earth.xenite.org

Gustav Klimt: A Bridge Of Many Spans

For over fifty years I have enjoyed a quiet obsession with something called the Wiener Werkstatte. It was a community of artists in Vienna that grew out of the Vienna Secession, itself a larger expression of the Arts and Crafts movement beginning in the late 19th century. My fascination with this theme began during a semester of cultural history in graduate school focusing on organic form and function in urban planning and design. The interest reemerged twenty years later with my involvement in the planning and design of parks, visitor centers, museum, exhibits, publications, and other facets of resource interpretation in the National Park Service. The organization itself has sustained an Arts and Crafts theme underlying its branding, architecture, and graphic identity since its founding in 1916. 

One of the most interesting members to emerge from the Arts and Crafts movement and the Vienna Secession was Gustav Klimt, born in Vienna on this day in 1862. He is described as a symbolist painter, one who focuses on mysticism and imagination. Like many artists his early work was described as academic. At 28 he found his muse in Emilie Louise Floge, a fashion designer and entrepreneur who greatly influenced his work during their life-long relationship. . Many art historians claim this 1907 painting, The Kiss, is the finest expression of their loving relationship:

This painting, Portrait of Adele Bloch-Bauer (1907), is also from what is called Klimt's "Gold Period" and is probably more familiar:

 It has an amazing history involving Nazi looting, museum purchase, decades of litigation, a $135,000,000 purchase price, art world disgust, one book, and five films, including the popular 2015 release, Woman in Gold.

As an artist active in the eras of Arts and Crafts, Art Nouveau, through Modernism's progression toward Art Deco, there is much more to Klimt than the golden paintings. If you look at the body of his work you find he is a niche artist. At the same time you find the work compelling and complex to the point where it's easy to recognize his influence on material culture and imagination a century after his death.

Avenue in Schloss Kammer Park, 1912

Sources

Illustrations:
The Kiss, Osterreichische Galerie Bevedere, Vienna
Portrait of Adele Bloch-Bauer, The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202
Avenue in Schloss Kammer Park, Osterreichische Galerie Belvedere, Vienna

Text:
Gustav Klimt, Wikipedia.com
klimt.com
"Klimt Painted Much More Than 'The Woman In Gold'", Colton Valentine, Huffington Post, July 14, 2015

Gustav Klimt: Master Of Succession Expression

Readers who follow this blog know that I have a quiet obsession with something called the Wiener Werkstatte. It was a community of artists in Vienna that grew out of the Vienna Secession, itself a larger expression of the Arts and Crafts movement beginning in the late 19th century. My fascination with this theme began during a semester of cultural history in graduate school focusing on organic form and function in urban planning and design. The interest reemerged twenty years later with my involvement in the planning and design of parks, visitor centers, museum, exhibits, publications, and other facets of resource interpretation in the National Park Service. I'll leave it to you to find the linkages.

One of the most significant members of the Vienna Secession, Gustav Klimt, was born on this day in 1862 He is described as a symbolist painter, one who focuses on mysticism and imagination. His Wikipedia entry describes his early work as academic, a characteristic he gradually left behind following a life-long relationship with fashion designer and entrepreneur, Emilie Louise Floge, that began when he was 28. Many art historians claim this 1907 painting, The Kiss,  is the finest expression of their loving relationship: 

This painting is also from what is called Klimt's "Gold Period" and is probably more familiar:

Portrait of Adele Bloch-Bauer  (1907) has an amazing history involving Nazi looting, museum purchase, decades of litigation, $135,000,000, art world disgust, a book, and five films, including the popular 2015 release, Woman in Gold. 

There is much more to Klimt than the golden paintings. If you look at the body of his work it's easy to see how he continues to exert a broad influence on material culture and imagination a century after his death.

Avenue in Schloss Kammer Park, 1912

Sources

Illustrations:
The Kiss, Osterreichische Galerie Bevedere, Vienna
Portrait of Adele Bloch-Bauer, The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202

Avenue in Schloss Kammer Park, Osterreichische Galerie Belvedere, Vienna

Text:
Gustav Klimt, Wikipedia.com
klimt.com
"Klimt Painted Much More Than 'The Woman In Gold'", Colton Valentine, Huffinton Post, July 14, 2015

Sixty-Four Years Of The Fellowship Of The Ring

For fantasy fiction fans this day in 1954 has great significance. It is the day that J.R.R. Tolkien's The Fellowship of the Ring first appeared on store shelves in the United Kingdom. Today, a used copy of that first edition with its original dust jacket would fetch an owner at least $6500. I doubt that sum would matter much to true fans. To them the words within are priceless.

In lieu of a typical biography below is a short video about the author's life and his creation of Middle Earth. The film comes from the "Behind the Scenes" series issued in the special edition video package of director Peter Jackson's The Lord of the Rings trilogy.

Tolkien died in 1973. It would take another generation before a cinematic version of his great work would or perhaps could appear. In the interim his imagination gave new energy to a full range of fiction writers. His is a rich legacy and one that will be enjoyed and expanded in the years head.

Sources

Photos and Illustrations:
tolkienlibrary.com

Text:
wikipedia.com, J.R.R.Tolkien
tolkienestate.com