He had perfect pitch and came from a musical family. He was virtually blind but that did not stop him from reaching the pinnacle of piano jazz. As a child he learned compositions by ear listening to recordings, piano rolls or the radio. After basing his early performance on the stride piano style of James P. Johnson and Fats Waller. Tatum's piano technique soon evolved into his very own, a flying lyric in the right hand riding on a modified stride in the left. In time his skills made him a magician at the keyboard. Here is Tatum's famous 1933 rendition of Tea For Two:
And a bit more up-tempo, here is the master of improvisation with the tune, Tiger Rag, also recorded in 1932 and 1935:
When you have enjoyed jazz for fifty years and listen to Art Tatum you'll hear Oscar Peterson, Billy Taylor, Thelonious Monk, Johnny Costa and many others as Tatum dances effortlessly across the keyboard. He was so good, his legacy in music may be timeless. In fact, the great stride pianist, Fats Waller, his mentor and good friend, once said upon seeing Tatum enter the club where Waller was performing, "I only play the piano, but tonight God is in the house."
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