Showing posts with label American exper. Show all posts
Showing posts with label American exper. Show all posts

Monday, March 17, 2025

St. Patrick's Day 2025

 

 


Happy St. Patrick's Day! Today's post could focus on the contemporary experience of St. Patrick's Day in the U.S. - the wearing of the green, the parades, the parties, the drinking songs. Instead I want to look back at the true meaning of the day, the religious aspects, that so often get lost in the worldly celebration. Of course, there's nothing wrong with celebration - we do live in the world - as long as it's done in moderation while we keep the origins of the day in mind. Enjoy.

If you do nothing else with this post, at least listen to the remarkably powerful hymn.




The Reverend Paul Prange, Chair of the Board for Ministerial Education, Wisconsin Evangelical Lutheran Synod, has this to say about St. Patrick:

When it comes to St. Patrick, truth may be stranger than fiction.

Born in Scotland, he grew up as a Christian but was not too serious about his faith. His life changed suddenly at age sixteen when he was kidnapped by Irish pirates. For six years he labored as a slave, tending pigs and sheep. He began to value the Christian faith in which he had been raised. When he escaped from slavery, he made his way to the coast, got a job on a ship, and returned to his family in Scotland. 
Back in Scotland, he could not get Ireland out of his mind. The love of Christ was compelling him to share with his former captors the promises of God that had come to mean so much to him while he lived among them. After studying the Bible for nearly 20 years, he went back to Ireland a free man, and he never left. 
Patrick baptized thousands of people. He helped to organize congregations all over Ireland, and worked hard to train and ordain men to serve as ministers of the gospel. Among his converts were wealthy women who became Christians in the face of family opposition. He also dealt with the royal family of the time, instructing them in the truths of the faith. 
It is very unlikely that he drove all of the snakes out of Ireland. He probably did not wear green all of the time. But the historical truths of his life are inspiring, and cause us to give thanks to God for faithful missionaries.



Today's music is St. Patrick's Breastplate, a 19th century hymn based on words attributed to him.




St. Patrick's Breastplate


I bind unto myself today
the strong Name of the Trinity,
by invocation of the same,
the Three in One, and One in Three.

I bind this day to me for ever,
by power of faith, Christ's Incarnation;
His baptism in the Jordan river;
His death on cross for my salvation;
His bursting from the spicèd tomb;
His riding up the heavenly way;
His coming at the day of doom:
I bind unto myself today.

I bind unto myself today
the power of God to hold and lead,
His eye to watch, his might to stay,
His ear to hearken, to my need;
the wisdom of my God to teach,
his hand to guide, his shield to ward;
the word of God to give me speech,
His heavenly host to be my guard.

Christ be with me,
Christ within me,
Christ behind me,
Christ before me,
Christ beside me,
Christ to win me,
Christ to comfort
and restore me.

Christ beneath me,
Christ above me,
Christ in quiet,
Christ in danger,
Christ in hearts of
all that love me,
Christ in mouth of
friend and stranger.

I bind unto myself today
the strong Name of the Trinity,
by invocation of the same,
the Three in One, and One in Three.
Of whom all nature hath creation,
Eternal Father, Spirit, Word:
praise to the Lord of my salvation,
salvation is of Christ the Lord.




Our literary piece comes from the opening paragraphs of the Confession, one of two extant documents written by St. Patrick. The translation from the Latin by Ludwig Bieler.

I am Patrick, a sinner, most unlearned, the least of all the faithful, and utterly despised by many. My father was Calpornius, a deacon, son of Potitus, a priest, of the village Bannavem Taburniæ; he had a country seat nearby, and there I was taken captive. 
I was then about sixteen years of age. I did not know the true God. I was taken into captivity to Ireland with many thousands of people---and deservedly so, because we turned away from God, and did not keep His commandments, and did not obey our priests, who used to remind us of our salvation. And the Lord brought over us the wrath of his anger and scattered us among many nations, even unto the utmost part of the earth, where now my littleness is placed among strangers. 
And there the Lord opened the sense of my unbelief that I might at last remember my sins and be converted with all my heart to the Lord my God, who had regard for my abjection, and mercy on my youth and ignorance, and watched over me before I knew Him, and before I was able to distinguish between good and evil, and guarded me, and comforted me as would a father his son.Hence I cannot be silent---nor, indeed, is it expedient---about the great benefits and the great grace which the lord has deigned to bestow upon me in the land of my captivity; for this we can give to God in return after having been chastened by Him, to exalt and praise His wonders before every nation that is anywhere under the heaven. 
Because there is no other God, nor ever was, nor will be, than God the Father unbegotten, without beginning, from whom is all beginning, the Lord of the universe, as we have been taught; and His son Jesus Christ, whom we declare to have always been with the Father, spiritually and ineffably begotten by the Father before the beginning of the world, before all beginning; and by Him are made all things visible and invisible. He was made man, and, having defeated death, was received into heaven by the Father; and He hath given Him all power over all names in heaven, on earth, and under the earth, and every tongue shall confess to Him that Jesus Christ is Lord and God, in whom we believe, and whose advent we expect soon to be, judge of the living and of the dead, who will render to every man according to his deeds; and He has poured forth upon us abundantly the Holy Spirit, the gift and pledge of immortality, who makes those who believe and obey sons of God and joint heirs with Christ; and Him do we confess and adore, one God in the Trinity of the Holy Name. 
For He Himself has said through the Prophet: Call upon me in the day of thy trouble, and I will deliver thee, and thou shalt glorify me. And again He says: It is honourable to reveal and confess the works of God. 
Although I am imperfect in many things, I nevertheless wish that my brethren and kinsmen should know what sort of person I am, so that they may understand my heart's desire. 
And so I should dread exceedingly, with fear and trembling, this sentence on that day when no one will be able to escape or hide, but we all, without exception, shall have to give an account even of our smallest sins before the judgement of the Lord Christ.

 

Here is a link to the remaining eight pages describing his journey from slave to missionary.

I hope readers enjoyed thia week's posts about Irish culture, especially today's piece on St. Patrick and his place in the history of Chritianity. May you and yours have a safe and happy St. Patrick's Day.





Sources

Photos and Illustrations:
oca.org

Text:
Prange comment, welslutherans site, Facebook
Confessions, catholicplanet.com

Monday, August 17, 2020

Woodstock: Four Days Of Peace And Music At Max Yasgur's Farm


On this night in 1969 around 200,000 music fans hunkered down in the rain and mud at Max Yasgur's daily farm to enjoy the third day of the music festival we know as Woodstock. It attracted an audience estimated at 400,000 - twice what the promoters expected - with more than 35 of the leading or up-an-coming musical attractions of the day. Joni Mitchell didn't appear as scheduled but she penned a perfect description of the event, one that Crosby, Stills, Nash, and Young would bring alive as a #1 hit that still captures an audience.





Well I came upon a child of God, he was walking along the road
And I asked him tell where are you going, this he told me:
Said, I'm going down to Yasgur's farm, going to join in a rock and roll band.
Got to get back to the land, set my soul free.
We are stardust, we are golden, we are billion year old carbon,
And we got to get ourselves back to the garden.

Well, then can I walk beside you? I have come to lose the smog.
And I feel like I'm a cog in something turning.
And maybe it's the time of year, yes, and maybe it's the time of man.
And I don't know who I am but life is for learning.
We are stardust, we are golden, we are billion year old carbon,
And we got to get ourselves back to the garden.

By the time we got to Woodstock, we were half a million strong,
And everywhere was song and a celebration.
And I dreamed I saw the bombers jet planes riding shotgun in the sky,
Turning into butterflies above our nation.

We are stardust, we are golden, we are caught in the devil's bargain,
And we got to get ourselves back to the garden.



In addition to CSNY, the following acts graced the stage during the "three days of peace and music":


Richie Havens

Swami Satchidananda
Sweetwater
Bert Sommer
Tim Hardin
Ravi Shankar
Melanie
Arlo Guthrie
Joan Baez
Quill
Country Joe McDonald
Santana
John Sebastian
Keef Hartley Band
The Incredible String Band
Canned Heat
Mountain
Grateful Dead .
Creedence Clearwater Revival
Janis Joplin with TheKozmic Blues Band
Sly and the Family Stone
The Who
Jefferson Airplane and Nicky Hopkins
Joe Cocker and The Grease Band
Country Joe and the Fish
Ten Years After
The Band
Johnny Winter and his brother, Edgar Winter
Blood, Sweat & Tears
Crosby, Stills, Nash, and Young
Paul Butterfield Blues Band
Sha Na Na
Jimi Hendrix



Today, the Woodstock Preservation Alliance has this to say about the event's long-term significance to the American experience:


Woodstock was the culmination of a transformation in American popular music that had begun with [the] Monterey [Pop Festival]....Woodstock introduced the same wide diversity of talent, albeit on an expanded scale, to a truly mass audience....A subsequent documentary film...and several sound recordings helped establish what only two years before had been underground or avant-garde musical styles and ushered them into the mainstream.
Participating musicians, industry insiders, and rock critics and historians concur that Woodstock changed the way that popular music was programmed and marketed. Festival promoters noted the large numbers of fans who were willing to put up with often inadequate facilities....Promoters saw opportunities to improve their profit margin by more efficiently organizing festivals....They also understood that increased ticket prices would need to be offset...by moving the festivals from pastoral settings into sports arenas and convention centers and limiting the shows to a single-day or evening.... [Such changes] altered the festival-going experience... and thereby diminished the sense of community that many commentators considered the sine qua non of the Woodstock experience.
The development of "arena rock" marked the end of the rock "vaudeville circuit," and led to the demise of the smaller concert hall venues....The arenas also gave the upper hand to the style of music called heavy metal, represented by loudly amplified guitar based and blues-inflected bands composed almost entirely of white male musicians, whose aggressive style of playing was ideally suited for filling the audible space in arena settings.
After Woodstock, musicians apprehended the seemingly insatiable demand for their music and began commanding higher fees. It thus soon proved to be no longer economically feasible to book several major bands on the same bill....This in turn led to the segmentation of the fan base....In the years fol1owing Woodstock, however, fans were channeled into attending concerts that featured fewer acts, typically representing one or two musical styles.
Part of the Woodstock Festival's enduring legacy is the continuing efforts to counteract this trend by replicating the multi-performer/genre concert experience. Over the past three decades various parties have staged or attempted to stage successors to Woodstock, either by that name at different sites or else on or near the original site under a different name. [These efforts have had mixed success over the decades.]

If you want to remember this historic Aquarian exposition or imagine it for the first time you can choose among several original recordings. Better yet, watch the director's cut of the documentary, Woodstock. The film, an outstanding example of documentary film making, is a perfect capture of the concert as well as the pivotal national experience that created it.






Sources

Photos and Illustrations:
wikipedia.com

Text:
quotation: woodstockpreservation.org/SignificanceStatement.htm
azlyrics.com

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