Adolf Has A Birthday - And A Pin In His Cushion

Yes, today is Der Fuhrer's birthday. We remember him solely as the last century's foremost mass murderer, challenged only by Mao Zedong, and followed by runners-up, Vladimir Lenin, Joseph Stalin, and Pol Pot. Perhaps this day will remind us that our president is pandering for votes from his party's Jew hating faction as they chant "Death to Israel" and equally disturbing, "Death to America". Already, analysts are saying the group could easily cost him the presidential election in November. It reminds me that our national experience today walks uncomfortably close to that of Weimar Germany, the breeding ground for the rise of Adolf and his National Socialist party to victory in 1933. Given the Holocaust and World War II that followed we cannot associate Adolf and his party with any kind of win. 

We could remember Der Fuhrer by listing his atrocities which remain well documented and commemorated in western culture. I choose to build on that foundation through the forms of humor we know as satire and parody. Both have been described as the most effective forms of ridicule by far and a staple in public discourse and entertainment beginning with the Greeks 2500 years ago. Therefore, I present to you the Adolph Hitler Pin Cushion, a most popular item in American households during World War II. The fine specimen pictured below comes from my great aunt's home.

In our time the film industry has produced some wonderful examples of humor applied to Der Fuhrer. For some individuals and groups it is difficult to understand. In a 2018 National Public Radio interview, Mel Brooks, the comic who brought us The Producers (1967 and 2005) and many other masterful comedies, explained his motivations for making the original film:

. . . Listen, get on a soapbox with Hitler, you're gonna lose — he was a great orator. But if you can make fun of him, if you can have people laugh at him, you win. . . . The comedy writer is like the conscience of the king . . . . He's got to tell him the truth. And that's my job: to make terrible things entertaining.

I would add the terrible things not only become entertaining but also allow us to survive, understand, and accept their reality. Yes, there is healing in this humor.

Here are four examples of satire and parody at work from Charlie Chaplin's, The Great Dictator (1940) where Hitler meets Italy's Mussolini; Mel Brooks's, The Producers (1967); and the British Ministry of Information's Schichlegruber Doing The Lambeth Walk (1942).

Horrible voice, bad breeding, vulgar manners, you have everything you need to be a politician.

          from The Knights, a play by Aristophanes, 424 BCE





Sources

Photos and Illustrations:
Hitler pin cushion figurine, World War II era, OTR personal collection

Text:
NPR Morning Edition interview with Susan Stamberg, April 26, 2018, https://www.npr.org/2018/04/26/605297774/mel-brooks-says-its-his-job-to-make-terrible-things-entertaining