In Creating New Musical Forms He Captured Even More Beauty In This World

 

Delius in 1907

The English composer, Frederick Delius, was born on this day in Yorkshire in 1862. At 24, he lived the classic story of breaking away from the family business - wool, no less - to pursue a love for the arts, in this case, music. The break was interesting for it took him first to Solano Grove and an orange plantation on the banks of the St. Johns River south of Jacksonville, Florida. Later, he would teach music in Danville, Virginia, before returning to Europe for formal education in Germany. He took the sounds of American culture with him. In 1888, he settled in Paris, later married the painter, Jelka Rosen - she painted the portrait below - and devoted his life to composition. In his last sixteen years he was tortured by the pain of a slow death from syphilis contracted during his early years in Paris. In the four years before his death in 1934, he was blind and essentially paralyzed from the neck down. He composed and completed some of his most significant work during this period, all of it reaching paper through the notations of his loyal amanuensis, Eric Fenby.

Delius patterned much of his music after that of his friend and fellow composer, Edvard Grieg, but tempered it with English impressionism, a love of naturalism, and his American experience, particularly his immersion in African American cultural themes while working on his father's grapefruit plantation. The result was a unique and demanding music for performer and listener alike and one that almost demands an acquired appreciation. From his death until the 1970's many in the classical music industry thought his compositions were "too sweet" and trapped in immature cliches. Today, his popularity continues to grow but I believe he remains an underappreciated figure in 20th century music.

Portrait of Delius by his wife, Jelka Rosen, Grez-sur-Loing, France, 1912

I first encountered Delius's music in a BBC program in 1968. The unique lyric quality of his compositions was like a magnet and there was no escape from the compelling soundscapes with such rich, complex imagery and depth. It was easy to fall under the Delius spell as a student of physical and historical geography. The appreciation increased when I began a life-long career focused on the nation's most significant and often most beautiful places.

Years ago, I had the opportunity to sit alone on a dock watching the evening move over the St. Johns River landscape not far from Solano Grove. Delius's music was in my head and all the beauty of "Old Florida" was in my heart. He had likely walked the river's edge at that very place, watched the same sun glistening on the water, heard the worker's songs blending with those of insects and the wind rustling the reeds and nearby palmettos.

Over his lifetime he would be identified with the English school of music, but would put much of that Florida experience into his work. In fact, he has a significant place in American music history having been the first classical composer to use musical themes of black Americans in the South. Those themes appear in several of his composition more than forty years before George Gershwin and Porgy and Bess. 

This post opened with Song of Summer, written in 1930 when Delius was blind and paralyzed. To conclude, here are two earlier compositions. The first is from the Florida Suite, written in 1888 when he was twenty years old. Music historians agree that this piece represents the first use of black American folk idioms in classical form by a European composer. He also composed the first black opera, Koanga. (George Gershwin is most often erroneously credited with this accomplishment, but his opera, Porgy and Bess, premiered fifty years later.

 

The second work,  In A Summer Garden, was composed in 1908. This and many other Delius works would go on to influence a number of popular music composers well into the 20th century. Perhaps the most significant of them was the iconic composer, pianist, and bandleader, Duke Ellington, whose composed - most likely with his arranger, Billy Strayhorn - In a Blue Summer Garden as a tribute. 

Over forty years have passed since I watched that sunset near Solano Grove. That's a long time to explore and mature in one man's music. It remains a most satisfactory experience filled with complex brushstrokes of sound so different, immersive, and timeless.

Music is a cry of the soul. It is addressed and should appeal instantly to the soul of the listener. It is a revelation, a thing to be reverenced.

                                                                          Frederick Delius

Sources

Photos and Illustrations:

Delius photograph, Monographein Moderner Musiker, Leipzig, Germany: C.F. Kahnt Nachfolger, 1907. Public domain in the United States
Portrait of Frederick Delius by his wife, Jelka Rosen.

Text:
title, from comments by Delius biographer, Christopher Palmer, 1976

The Delius Society
Before the Champions: Frederick Delius' Florida Suite for Orchestra, Mary E. Greene., M.A. Thesis, University of Miami, 2011
Radio Swiss Classic, Frederick Delius
Wikipedia, the free encyclopedia, Frederick Delius