The Extraordinary Sound Of Divine And Sassy Sarah Vaughan

 

Sarah Vaughan, 1946

The American jazz singer, Sarah Vaughan, known as "Sassy" and "The Divine One," performed for almost fifty years. She was a performer if not a magician who could wring the emotion from a song with her warmth and three-octave range. Indeed she was a symphony of sound. The introductory paragraph of her Wikipedia entry quotes the music critic, Scott Yanow, as saying she had "one of the most wondrous voices of the 20th century." When coupled with the greatest of songwriters from 1930 on I think she could be matched only by Ella Fitzgerald for her vocal magic in popular music and jazz. Thirty-two years after her passing fans still wait for a singer who can approach her amazing voice. I must say that Jane Monheit has done a fine job of blending the Vaughan recipe with her own spices to bring us much of the magic we remember so well. Here is Sassy performing the signature song from late in her career, Send In The Clowns:

That is performance in song. It was recorded twenty years before Auto-Tune and other pitch correction and vocal tuning software could turn tone deaf studio metrosexuals and assorted hotties of any sex into so-called stars. We've come down a long way in what passes for both talent and popular music over the past generation. Of course, there are exceptions but for the most part real singing has become subordinate to other aspects of presentation, performance, and spectacle. And once more I ask the question, "Where is jazz, a genre birthed in the United States?" It is alive in many small markets across the country but it remains a small portfolio in the financial departments of our corporate music industry.

So as the Jane Monheits, Diana Kralls and others keep jazz alive let us honor the memory of one of its greatest interpreters, Sarah Vaughan, who was born on March 27, 1924. For another taste of her magic, here she is near the close of her career performing Misty.

A three octave vocal range, no Auto-Tune, singular perfection.

Sources


Photos and Illustrations:
opening photo, William P. Gottlieb Collection, Library of Congress, Washington, D.C.