Today is the official holiday commemorating King's birth on January 15, 1929. From the Martin Luther King, Jr. Memorial, Washington:






Photos and Illustrations:
Public domain photo, Nobel Foundation (http://nobelprize.org/) and Wikimedia Commons
OTR's observations on American culture and experience. And much like that experience you never know what to expect from its participant/observers.
We can see that his writings still work their magic on succeeding generations of readers, and yet Poe’s secrets remain distinctively his own. We can ape and parody the form, but legions of would-be disciples have too often created mostly pale imitations, and scholars have laid waste to forests of trees in printing articles and books that attempt to explain the essence of his genius. Yet, traces of Poe’s influence can be seen in the writings of such diverse authors as Jules Verne and Fyodor Dostoyevsky, Arthur Conan Doyle and Ray Bradbury, Charles Baudelaire and Allen Ginsberg. (His writings have also been translated into every major language. One Japanese author and critic so greatly admired Poe that he changed his own name from Tarö Hirai to Edogawa Rampo.) And this influence has not been limited to the written word. Such artists as Gustave Doré, Arthur Rackham, and Édouard Manet have illustrated his works. Sergei Rachmaninov, Leonard Slatkin, Philip Glass, and many others have composed musical tributes. In an interview published in 1960, Alfred Hitchcock, the great movie director, commented that “It’s because I liked Edgar Allan Poe’s stories so much that I began to make suspense films.”
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The King singin' and shakin' on The Milton Berle Show, 1965 |
The yellow label didn't exactly signify an earthquake. Above the cut-out centre of the 7in single ran the word Sun, a drop shadow beneath it. Behind the text lay rays of sunshine, and around the perimeter of the label were staves of music. The bottom half of the label contained the important information: the song title, That's All Right; the writer, Arthur Crudup; and the artist, Elvis Presley, with Scotty and Bill credited in smaller lettering. And at the very bottom, proudly, in yellow text reversed out of black, was the place of origin: Memphis, Tennessee.
Nevertheless, that disc, which arrived in Tennessee record shops 60 years ago, on Monday 19 July, 1954, did cause an earthquake. It was the first commercial release by Elvis Presley, the first tremors of a sensation that would soon transform popular culture and create the modern cult of celebrity. "You'd had teenage music before," says the pop historian Jon Savage, "but Elvis was the first to make music as if it was by teenagers, rather than for teenagers. And he was still a teenager when he made that record. After that, the industry realised they had to make music teenagers liked."
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Epiphany Jaime Huguet, Spain, about 1464 |
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Twelfth Night in New Orleans 1884 |
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Sandburg in 1955 Al Ravenna, World Telegraph staff photographer |