Friday, November 30, 2018

St. Andrew's Day 2018


Image result for jpeg scottish flag


Today's weather kept me from unfurling the St. Andrew's Cross - the flag of Scotland - at our home  to honor both the country and it's patron saint. There was no feasting or dancing for us but we did enjoy laughing over a last-minute invitation to attend a ceilidh in Stornoway, the capital of Lewis and Harris in Scotland. Perhaps next year. The occasion also brought to mind the many years we attended the Stone Mountain Highland Games just east of Atlanta. And there was our Clan Robertson and Clan Donnachaidh membership - thanks to my wife's ancestry - where we enjoyed the feasting and friendship well into the evening following the last day of the games.

To our would-be host, Calum, we lift a glass in both thanks for the invitation and hope that his St. Andrew's Day celebration exceed all expectations.

Winston Churchill: A Bow Of Burning Gold


Today is the 144th anniversary of the birth of Winston Churchill. The 19th century American literary icon, Ralph Waldo Emerson, said "there is properly no history, only biography." You'll get some argument about that statement these days. On the other hand, in the last century and a half there is Churchill. I think we would be hard-pressed to find a better illustration of history as biography in that time frame.


Churchill with his son and grandson in 1953

From his Wikipedia entry:

Sir Winston Leonard Spencer-Churchill KG OM CH TD DLFRS RA (30 November 1874 – 24 January 1965) was a British statesman who was the Prime Minister of the United Kingdomfrom 1940 to 1945 and again from 1951 to 1955. Churchill was also an officer in the British Army, a historian, a writer (as Winston S. Churchill), and an artist. He won the Nobel Prize in Literature, and was the first person to be made an honorary citizen of the United States.

The Lion at 10 Downing Street in London, 1940

Churchill in 1895

For more on information on Winston Churchill go here. And here, thanks to Steven Hayward at Powerlineis a teachable moment from the great political philosopher, Leo Strauss, on hearing of Churchill's death in 1965. In addition, we cannot forget Churchill as a historian. He was both an extraordinary observer and compelling writer. New readers should start their journey with My Early Life: A Roving Commission, first published in 1930. I have a feeling it will not be their last volume by Churchill. 

Churchill was a master of the English language but even he struggled for the right words to both describe the reality his countrymen faced at the hands of Luftwaffe bombers during the the Blitz of 1940 and 1941 as well as and rally them to endure what he knew would be their darkest hour:

The whole fury and might of the enemy must very soon be turned on us. Hitler knows that he will have to break us in this island or lose the war. If we can stand up to him, all Europe may be freed and the life of the world may move forward into broad, sunlit uplands. But if we fail, then the whole world, including the United States, including all that we have known and cared for, will sink into the abyss of a new dark age made more sinister, and perhaps more protracted, by the lights of perverted science. Let us therefore brace ourselves to our duties, and so bear ourselves, that if the British Empire and its Commonwealth last for a thousand years, men will still say, This was their finest hour.

If ever there was a man who personified England in the modern era, it was Churchill. 







Sources

Photos and Illustrations:
public domain photos, Imperial War Museums



Wednesday, November 28, 2018

William Blake: Revolutionary Romantic


In his own time he was so eccentric his neighbors and friends thought him a madman. As an engraver and illustrator he was caught between the decline of the guilds and the rise of industrialization. It was a time when men saw the value of their labors swept away from the cottage and into the factory under the watchful eye of the manager. For workers, the loss of autonomy, the shift in control and production, and the helplessness in the face of change led to a revolt against the Age of Reason and a rage against technologies it spawned. William Blake was born into this environment on this day in 1757. Two centuries later he would be recognized as both one whose vision, imagination and sensitivity were unmatched in the age of Romanticism, and a truly unique influence in the history of the Western world. 


William Blake                       Thomas Phillips, English, 1897


Blake is by far one of the most interesting visionaries to come out of England and its traditions. And there is one certainty about his imagination and expression. It is complex.
In the following illustration Blake depicts his character, Urizen, [You rising] as reason shaping the world and its experience. This engraving is also interpreted as God the Father [and often God the Son] as divining existence. It is a prime example of the complex and often confounding world of his imagination.


The Ancient of Days                                                                 William Blake, 1793

Here Blake depicts Isaac Newton [and the Age of Reason] at the bottom of the sea shaping (the dividers, once more) the world of humankind on the earth. Newton has turned his back on the organic beauty of God's natural world.

Newton                                                                               William Blake, 1795

Here, the Angel of Peace descends forcibly out of heaven illustrating God's reason (the dividers) brought into the world in the form of his Son to reconcile Nature (the reclining female nude) and a redeemed humanity.


The Descent of Peace                         William Blake, ca. 1815

One of Blake's most familiar pieces is his preface to Milton A Poem. The preface says much about Blake's philosophy opposing the Age of Reason as embodied in Greek and Roman thought and the dangers a reliance on intellect can bring to a world based equally on emotion. Furthermore, the preface is a perfect illustration of Blake's religious mysticism as well as his veneration of Milton.



The stolen and perverted writings of Homer and Ovid, of Plato and Cicero, which all men ought to contemn, are set up by artifice against the Sublime of the Bible; but when the New Age is at leisure to pronounce, all will be set right, and those grand works of the more ancient, and consciously and professedly Inspired men will hold their proper rank, and the Daughters of Memory shall become the Daughters of Inspiration, Shakspeare and Milton were curb'd by the general malady and infection from the silly Greek and Latin slaves of the sword. Rouse up, O Young Men of the New Age! Set your foreheads against the ignorant hirelings! For we have hirelings in the camp, the Court, and the University, who would, if they could, for ever depress mental, and prolong corporeal war. Painters! on you I call. Sculptors! Architects! suffer not the fashionable fools to depress your powers by the prices they pretend to give for contemptible works, or the expensive advertising boasts that they make of such works; believe Christ and His Apostles that there is a class of men whose whole delight is in destroying. We do not want either Greek or Roman models if we are but just and true to our own Imaginations, those Worlds of Eternity in which we shall live for ever, in Jesus our Lord.


And did those feet in ancient time

Walk upon England's mountains green?
And was the holy lamb of God
On England's pleasant pastures seen?


And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic mills.


Bring me my bow of burning gold!
Bring me my arrows of desire!
Bring me my spear! O clouds, unfold!
Bring me my chariot of fire!


I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.


Would to God that all the Lord's people were Prophets. Numbers xi, ch. 26




Readers may be more familiar with Blake's poem through this medium:





I have learned much from the artist and philosopher, William Blake, in my struggle to balance life between intellect and emotion. So far it's been a beautiful, productive, and fascinating journey. If readers want to learn more about Blake, to me there's no finer work available than Jacob Bronowski's A Man Without A Mask, published in 1944, and it's updated version, William Blake and the Age of Revolution, published in 1972.




Sources

Photos and Illustrations:
wikipedia.com
Blake portrait, National Portrait Gallery, Washington, D.C.
Newton, Tate Gallery, London, U.K.blakearchive.org/Blake

Text:
wikipedia.com, Blake entry
blakearchive.org/Blake
bartleby.com/235/284.html
Jacob Bronowski, A Man Without A Mask, Seeker and Warburg, London, 1944


Monday, November 26, 2018

Southern Comfortable


One of the most significant books in the historiography of the South, Ulrich Bonnell Phillips's Life and Labor in the Old South, begins with these words: 

Let us begin by discussing the weather for that has been the chief agency in making the South distinctive. ... The summers are not merely long but bakingly hot, with temperatures ranging rather steadily in the eighties and nineties of the Fahrenheit scale.

The early 20th century single story Southern home, with its high-roof, wrap-around porch, and traditional "dog trot" breezeway, is a vernacular response to that bakingly hot summer. Homes of this type can still be found throughout the South, in fact, contemporary construction in the region often incorporates its features in vestigial form. But what has made the South so popular these days? I believe in particular the subtropical climate remains the most powerful draw. The New South's social and political climates also contribute to the demographic shift. Still, Southerners must deal with the heat. And that brings us to the significance of November 26.



On this day in 1876, a son, Willis H. Carrier, was born into an old New England family. By the turn of the century, Carrier developed a system of conditioning air in a stiflingly hot and humid Brooklyn printing plant. The new environment ensured stability in the paper and the perfect alignment of four-color printing. It was soon a huge success in several industries. By the 1920s, air conditioning became popular in retail trade and entertainment, especially the movie theater. It was a small jump from commercial systems to home systems, and by the 1930s, air conditioning began a slow but steady increase in usage until the post World War II era when it boomed. Carrier's application would have far reaching impacts on the American experience.


From an environmental perspective, air conditioning made the South livable year round. One could work hard outside on a mid-summer Georgia day and find comfort in an air conditioned break at work and a cool, comfortable supper and evening at home. Today, we take this comfort for granted across the nation giving it attention only when it's time to change the filter or the compressor dies.

If you call the South "home," take a moment today to thank Willis for his contribution, an invention you're going to appreciate perhaps as early as March of 2019 when that heat begins its sure increase to "bakingly" unbearable levels in the Southern summer.

For more information on the impact of air conditioning on the American experience check out these sites:

http://www.theatlantic.com/technology/archive/2011/07/keepin-it-cool-how-the-air-conditioner-made-modern-america/241892/

http://www.oldhouseweb.com/how-to-advice/how-air-conditioning-changed-america.shtml



Sunday, November 18, 2018

Johnny Mercer: And We Saw The Midnight Sun


Sketch and signature, Bonaventure Cemetery, Savannah,Georgia


John Herndon "Johnny" Mercer, the great American songwriter and favorite son of Savannah, Georgia,, was born on this day in 1909. Over three decades he wrote the lyrics to thousands of songs, collaborating with the country's top music writers including Harold Arlen, Bernie Hannigan, Hoagy Carmichael, Harry Warren, Gene DePaul, Henry Mancini, Jerome Kern, Rube Bloom, and Matty Malneck.

Johnny Mercer statue, Ellis Square, Savannah, Georgia

Over three decades Mercer wrote the lyrics to hundreds of songs, collaborating with the country's top music writers, including Harold Arlen, Bernie Hannigan, Hoagy Carmichael, Harry Warren, Gene DePaul, Henry Mancini, Jerome Kern, Rube Bloom, and Matty Malneck. In 1971, Mercer appeared in what he called a "parlor evening" performance as part of the 92nd Street Y's Lyrics and Lyricists Series. At the end of the program, Mercer delivered an unforgettable medley of his "bread and butter" songs. I'd say most songwriters and performers would be pleased to have five songs in such a list. Mercer had twenty-nine. Regardless of your age and interest in popular music, you may be surprised at how many of these songs you recognize:

Lazybones (1933), music by Hoagy Carmichael

Goody, Goody (1936), music by Marty Malneck

Too Marvelous For Words (1937), music by Richard A. Whiting

Jeepers Creepers (1938), music by Harry Warren

Satin Doll (1958), written with Duke Ellington and Billy Strayhorn

You Must Have Been A Beautiful Baby (1938), music by Harry Warren

That Old Black Magic (1943), music by Harold Arlen

Accentuate the Positive (1944) music by Harold Arlen

Fools Rush In (1940), music by Rube Bloom

I Remember You (1942), music by Victor Schertzinger

Day In - Day Out (1939), music by Rube Bloom

Dearly Beloved (1942), music by Jerome Kern

Come Rain or Come Shine (1946), music by Harold Arlen

Tangerine (1942), music by Victor Schertzinger

Hooray For Hollywood (1938), music by Richard A. Whiting

Laura (1945), music by David Raksin

Dream (1944), words and music by Johnny Mercer

On the Atcheson, Topeka and the Santa Fe (1946, Academy Award for Best Music, Original Song), music by Harry Warren

Something's Gotta Give (1954), words and music by Johnny Mercer

One For My Baby (1943), music by Harold Arlen

In the Cool, Cool, Cool of the Evening (1951, Academy Award for Best Music, Oroginal Song), music by Hoagy Carmichael

Skylark (1941), music by Hoagy Carmichael

Autumn Leaves (1950), music by Joseph Kosma

I Wanna Be Around (1962), words and music by Johnny Mercer and Sadie Vimmerstedt

Blues in the Night (1941), music by Harold Arlen

Charade (1963), music by Henry Mancini

Summer Wind (1965), music by Henry Mayer

Moon River (1961, Academy Award for Best Music, Original Song), music by Henry Mancini

Days of Wine and Roses (1962, Academy Award for Best Music, Original Song), music by Henry Mancini


That's plenty of "bread and butter" on one man's plate, but we need to keep in mind that he had seven more songs nominated for an Academy Award that never made it into the medley. What a talent, in fact, a universal talent. He not only composed melodies but also wrote lyrics, sang a wide range of songs, performed in films, kept the nation laughing with his comedy on radio and television, and would go on to co-founded Capitol Records and the Songwriters Hall of Fame. 


Mercer in New York, 1946-48

Mercer had a wide-ranging career as a prolific lyricist and songwriter, popular singer, and music industry innovator, entrepreneur and benefactor before dying in Los Angeles from brain cancer in 1976. Forty years after his passing hardly a day passes that even a casual music listener will not hear a Johnny Mercer song. For those who enjoy the Great American Songbook and jazz/pop vocals, the Mercer magic remains very much alive in contemporary music. Looks like the man once described by the lyricist, Yip Harburg, as "one of our great folk poets" will be around for a long, long time. How lucky we are!

About two years before his death in 1976 Mercer recorded several of his best compositions that were released on the album, Johnny Mercer Sings Johnny Mercer. And here is the old music master singing one of his Academy Award winning songs:







And here is the incomparable Ella Fitzgerald singing one of Mercer's finest lyrical efforts, Midnight Sun:





For more information on Johnny Mercer visit www.johnnymercerfoundation.org and Georgia State University's Johnny Mercer Special Collection and Archive




Sources

Photos and Illustrations:
Mercer in New York, William P. Gottlieb Collection, Library of Congress

Text:
Johnny Mercer: The Life, Times, and Song Lyrics of Our Huckleberry Friend, Bob Bach and Ginger Mercer, The American Poet and Lyricists Series, Lyle Stuart, October 1982;
Skylark: The Life and Times of Johnny Mercer, Philip Furia, St. Martin's Press, December 2004;
Portrait of Johnny: The Life and Times of John Herndon Mercer, Gene Lees, Hal Leonard, February 2006;
The Complete Lyrics of Johnny Mercer, Johnny Mercer, edited by Kimball, Day, Kreuger, and Davis; Knopf 2009;
Johnny Mercer: Southern Songwriter for the World, Glenn T. Eskew, University of Georgia Press, 2013

Johnny Mercer Foundation


Sunday, November 11, 2018

Veterans Day 2018/World War I Centennial






Veterans Day began as Armistice Day, marking the end of World War I on "the eleventh day of the eleventh hour of the eleventh month" of 1918. This year marks the 100th anniversary of the end of the Great War. The Armistice Treaty signed by the Allied forces and Germany remains an object lesson in peace as a fragile  and often deceptive condition in a complex world. 

Over time the holiday has evolved to honor the men and women who have defended the United States through service in the Army, Marine Corps, Navy, Air Force, and Coast Guard.
Personally, I think of the sacrifices made by many friends who served in Vietnam and of all those who have served in the defense of the United States. In particular I think of family and the service of a great uncle in World War I and two uncles in World War II.




My Great Uncle George, standing on the left with his fire brigade in Jacksonville, Florida, served as a lieutenant in the U.S. Army in World War I, the Great War. To him, this day was Armistice Day. I was ten when he died and didn't know him, but much of what he was as a veteran is present in my house. His portrait hangs just off our foyer. The pocket Bible he carried is in a keepsake cabinet nearby along with his military issue binoculars and a silver-plated swagger stick - a gift from his unit - made from machine gun shells casings and the Seal of the U.S. Army. The last item is one he never saw, but it summarized everything he did as a soldier. That item is the flag that covered his coffin. To my knowledge, it's still in the original triangle fold made the day he was buried over sixty years ago.

The other family veterans from the world war era I knew very well. Uncle Hollis, better known as "Red," and Uncle Charles, both served in the Pacific during World War II. In 1943-44, Red was assigned to Barber's Point Naval Air Station in Hawaii while his brother-in-law, Charles, served at Pearl Harbor. The facilities were a mere five miles apart but almost one year passed before they knew they were neighbors. On hearing the news, they resolved to meet for a photograph at the first opportunity. Here's that photo, taken at Waikiki with Red (l) and Charles (r) together at last.




Both returned safely to their Potomac Valley hometowns in western Maryland but a declining economy in the region forced them to relocate to better job opportunities. Red moved his family to Ohio where he had a very successful career with Goodyear. Charles took his family to the booming oil industry in Houston, Texas, and work prospered in real estate management. Both are gone now, along with their wives, Edith and Dorothy. All four of them were fine examples of the Greatest Generation.

My personal bond with Veterans Day came early in life. From the time I could hold a paint brush with serious determination - probably 1951 - I did my part to honor veterans. A week before the holiday, Dad and I went to the local cemetery to paint flag holders and install Old Glory on the graves of veterans of the Great War who had been member of my dad's lodge. The lodge had a seventy year history in my small town and scores of holders were scattered at random on the landscape. My instructions were simple: armed with primary yellow, blue and red paint, I was to paint carefully, leave no spatters, paint EVERY marker. The worst offense, by far, was missing a marker, but Dad made sure that never happened.

On Veterans Day proper, there was a brief morning service from atop a small memorial building. At its conclusion, the crowds descended from the hilltop cemetery to either watch or march in what seemed like an endless parade down Main Street. It was straight out of a Norman Rockwell illustration: flags, bands, fire trucks, politicians, the ladies' auxiliary, the soldiers. It was a most impressive event.

Today I look back on those memories and a career infused with military history from the Revolution through Vietnam. I'll never experience how military service shapes a person inside. But I know the cost of freedom is not free. Every veteran has paid a price that enables us to enjoy life in this bountiful nation. I offer up to all of them my sincerest admiration and thanks on this day.



Monday, November 5, 2018

America's Cosmic Music Maker


Gram Parsons spent his brief musical life searching for what he called "cosmic American music," a sound emerging out of gospel, R&B, country and rock traditions. He was born on this day in 1946 into a wealthy Florida family, a circumstance that encouraged both his exploration of music and the drug abuse that killed him in 1973 (September 17). Parsons performed with The Byrds and The Flying Burrito Brothers before attempting a rocky solo career that went nowhere until he met a young singer in Washington, D.C. Her name was Emmylou Harris. Parsons soon partnered with Harris and they went on to produce some of the finest sounds from the early fusion days of country and folk-rock. With his passing, one of American music's greatest inventors was stilled, but others, including Emmylou, would use his inventions and adapt them over the next forty years into the country rock music we know today.


Parsons in 1972


Here is some music to help you understand the history. The first recording is a Gram Parsons-Bob Buchanan song that appeared on The Byrds album, Sweetheart of the Rodeo, released in 1968. The Byrds went deep into classic country here and introduced Parsons to a rock audience.




Here's a Parsons-Chris Hillman song, dating from 1969 and the days of The Flying Burrito Brothers. Parsons can be identified by his marijuana leaf Nudie suit.





And here is Parsons with Harris performing their song, In the Hour of Darkness, from the album, Grievous Angel, released four months after his death.




Parsons's body met with a notable and very illegal cremation in the hills of Joshua Tree National Park. For the story go to this link.  Over forty years after his death Parsons's legacy is very much alive in and around Joshua Tree. 

With barely a decade of musical composition and performance behind him Gram Parsons made a lasting and profound impression on American popular music. We will continue to hear that influence for a long, long time. 




Sources

Photos and Illustrations:
public domain, publicity portrait of Gram Parsons for Reprise Records


Guy Fawkes Day And Bonfire Night


File:Guy Fawkes by Cruikshank.jpg
Guy Fawkes in Ordsall Cave


If the American Revolution hadn't killed the celebration of Guy Fawkes Day on this side of the Atlantic, OSHA certainly would have done it in by now. Brits still celebrate the day about four hundred years ago when an attempt by the Gunpowder Plot to blow up the House of Lords and King James I was foiled with the arrest of Guy Fawkes who had been assigned to guard the explosives. Most Americans probably know the man and the day from the film, V for Vendetta, and the following poem:


The Fifth of November


Remember, remember! 
The fifth of November, 
The Gunpowder treason and plot; 
I know of no reason 
Why the Gunpowder treason 
Should ever be forgot! 
Guy Fawkes and his companions 
Did the scheme contrive, 
To blow the King and Parliament 
All up alive. 
Threescore barrels, laid below, 
To prove old England's overthrow. 
But, by God's providence, him they catch, 
With a dark lantern, lighting a match! 
A stick and a stake 
For King James's sake! 
If you won't give me one, 
I'll take two, 
The better for me, 
And the worse for you. 
A rope, a rope, to hang the Pope, 
A penn'orth of cheese to choke him, 
A pint of beer to wash it down, 
And a jolly good fire to burn him. 
Holloa, boys! holloa, boys! make the bells ring! 
Holloa, boys! holloa boys! God save the King! 
Hip, hip, hooor-r-r-ray!


Guy Fawkes Day celebration at Windsor Castle in 1776

Much of the religious bitterness has passed and Guy Fawkes Day is no longer an official holiday. Still, it's a fine opportunity to celebrate by lighting bonfires, marching in vast torch light parades or igniting fireworks just as celebrants did days after Fawkes's arrest.

It's a man's holiday when the sun sets and it's time for the FIRE.




I have a feeling this is reminiscent of Independence Day celebrations across the United States about a century ago. Frankly, I'd love to see it happen again. 





Sources

Photos and Illustrations:
Fawkes illustration, Ainsworth, William Harrison. Guy Fawkes, or The Gunpowder Treason, 1840; George Cruikshank [Public domain], via Wikimedia Commons


Sunday, November 4, 2018

A Legendary Holiday Punch From Savannah


It's that time of year again when our thoughts turn to Thanksgiving, Christmas, and the new year. In this festive season  many of us attend gatherings and some of us host them. If you plan on hosting this year and want to serve your guests a taste of history I have a suggestion. Long-time readers know one of my favorite preparations for those occasions is Savannah's very own concoction known as Chatham Artillery Punch.

Here's a video sharing some of the history surrounding the punch as well as a new twist on the recipe for the non-traditionalists among us.





Although I'd be happy to try Artillery's version I'm staying with the creation of Chatham Artillery Punch as a labor of love. There's something about weeks of fermentation in a quiet corner of the house that tells me its presentation will flow with authenticity and satisfaction. In addition its maker has the honor of testing the concoction's progress from now until Twelfth Night. Just another reason to judge your quantity seriously.

In the past I've posted a recipe for 50 servings but this year it's reduced by half for two reasons. First, it's an expensive endeavor, and, second, a small cup can be enjoyed for a long time. The origin of today's recipe is lost to history but the assemblage of scattered notes over the decades - like the spirits themselves - produces a deliciously potent punch. A Georgia National Guard newsletter noted that a pair of soldier's socks, the stockings of a soldier's wife, and sand from Iraq were added to the punch in 2006. We're not going that far.

Chatham Artillery Punch (25 servings):

1 quart of strong green tea (soak about 1/4 pound of tea for a day, then strain)
Juice of 5 lemons
10 ounces brown sugar
1 quart Catawba wine (a muscadine wine may be easier to find and works as well)
1 quart Santa Cruz rum (use Virgin Islands style rum, light or dark)
1 pint brandy
1 pint dry gin (I like the flavorings in Bombay Sapphire)
1 pint rye whiskey (Bulleit 95 Rye Small Batch is a perfect choice)
1.5 pints Queen Anne cherries
1.5 pints pineapple chunks
1.5 quarts champagne


To prepare, sterilize a large (5 gallon works nicely) crock or similar vessel. Mix the tea and lemon juice, then dissolve the brown sugar and gently stir in all the alcohol except the champagne. Add the cherries and pineapple chunks carefully. Cover the crock tightly and sit aside in a cool, dark place for at least one week - a month is better - or longer. Careful sampling is permitted to insure the fermentation process is working as planned. To serve, pour the mixture carefully over a block of ice, add the champagne, and stir gently. IMPORTANT: Never refrigerate to cool ahead of serving or serve with ice cubes.


Mug from the DeSoto [Hilton] Savannah's now closed Lion's Den lounge   

Delicious, smooth, and potent, this drink demands responsibility. Also keep in mind that the longer it ferments, the more powerful, deceptive and tasty it becomes. There is a point - say after two months - at which the punch becomes a lightly fruited rumtopf, a perfect topping for ice cream or bundt. To be honest, I suspect using it in Old Savannah as something other than a beverage would be a sacrilege. Regardless of how you plan to enjoy Chatham Artillery Punch, know that your expense and anticipation will be rewarded. I once brewed a batch for eight weeks. It was legendary.



Thursday, November 1, 2018

All Saints Day 2018


All Saints Day in Krakow, Poland

The remembrance of the departed faithful is an old custom in the Christian church. Here is some commentary on this day taken from the Wisconsin Evangelical Lutheran Synod website:

The Commemoration of All Saints has been observed by Christians since at least the 4th century after Christ, although not always on November 1. Christians then as now desire to follow the encouragement of the writer to the Hebrews: "Remember your leaders who spoke the Word of God to you. Consider the outcome of their way of life and imitate their faith" (Heb 13:7).
The original purpose of remembering the saints and martyrs was blurred during the medieval ages, as saints became the objects of prayers and petitions for merit before God. Pointing to Christ as the only source of forgiveness, Luther cleansed the church of this abuse of the saints. Lutherans did not remove All Saints Day from the church calendar, however.
Luther posted his 95 Theses on the Wittenberg church door on October 31, 1517 precisely because he wanted the document to be seen by the throngs that would services on November 1, All Saints Day. Lutherans eventually chose October 31 as the day on which to remember Luther's legacy to the church, and All Saints Day in the Lutheran Church has forever after been overshadowed by Reformation services.


There is no more suitable hymn for the day than Ralph Vaughan Williams's setting - Sine Nomine - for the processional hymn, For All the Saints, written by William Walsham How.







Most versions omit several verses that I believe are most relevant to our time. They are:

For the Apostles’ glorious company,
Who bearing forth the Cross o’er land and sea,
Shook all the mighty world, we sing to Thee:
Alleluia, Alleluia!

For the Evangelists, by whose blest word,
Like fourfold streams, the garden of the Lord,
Is fair and fruitful, be Thy Name adored.
Alleluia, Alleluia!

For Martyrs, who with rapture kindled eye,
Saw the bright crown descending from the sky,
And seeing, grasped it, Thee we glorify.
Alleluia, Alleluia!

O may Thy soldiers, faithful, true and bold,
Fight as the saints who nobly fought of old,
And win with them the victor’s crown of gold.
Alleluia, Alleluia!

And when the strife is fierce, the warfare long,
Steals on the ear the distant triumph song,
And hearts are brave, again, and arms are strong.
Alleluia, Alleluia!



Allerheilegen (All Saints)                                                           Johann Koenig, 1599

The "Battle Hymn of the Reformation," Martin Luther's A Mighty Fortress is also most appropriate for the day. 




May you have a blessed All Saints Day as you remember both the faithful who have attained their everlasting glory in the light of Jesus and those who look forward to the light to come.




Sources

Text:
wels.org
For All the Saints entry, en.wikipedia.org

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