|Bob Dylan and Joan Baez, March on Washington for Jobs and Freedom, August 28, 1963|
Too many of these hip people are telling me where the answer is but oh I won’t believe that. I still say it’s in the wind and just like a restless piece of paper it’s got to come down some ...But the only trouble is that no one picks up the answer when it comes down so not too many people get to see and know . . . and then it flies away.
Blowin' in the Wind marked a huge jump in Dylan's songwriting. Prior to this, efforts like The Ballad of Donald White and The Death of Emmett Till had been fairly simplistic bouts of reportage songwriting. Blowin' in the Wind was different: for the first time, Dylan discovered the effectiveness of moving from the particular to the general. Whereas The Ballad of Donald White would become completely redundant as soon as the eponymous criminal was executed, a song as vague as Blowin' in the Wind could be applied to just about any freedom issue. It remains the song with which Dylan's name is most inextricably linked, and safeguarded his reputation as a civil libertarian through any number of changes in style and attitude.
The song remains a poem for our times, perhaps all times.
U.S. Archives and Records Service, Rowland Scherman Collection
wikipedia.com, Bob Dylan entry